The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 3/3MacGibbon, David
History
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 3/3
MacGibbon, David
Church architecture -- Scotland
The west front of St. Machar’s (see Fig. 1006) is entirely built with
granite, except the spires, and is one of the most impressive and
imposing structures in Scotland. It is extremely plain, not a single
scrap of carving being visible anywhere, and most of the openings are of
the simplest kind. This front is a veritable piece of Doric work,
depending for its effect on its just proportion and the mass of its
granite masonry. The towers and spires are of equal height, and almost
identical in design. The great corbels and machicolations of the parapet
are clearly derived from castellated forms, and the embrasured bands
round the spires and their numerous lucarnes are distinct signs of the
late date of their construction. The entrance doorway (Fig. 1007) is
remarkable, the jambs being mere rounds and hollows, with a flat stone
laid along at the springing of the round arch, marking where the
capitals usually stand, while the arch mouldings are of the most
elementary kind, all being designed to suit the hard granite of which
they are constructed. Above this doorway is one of the most striking
features of the composition, viz.--the seven lofty narrow windows (see
Fig. 1006), about 26 feet in height, and each crowned
[Illustration: FIG. 1005.--St. Machar’s Cathedral. The Nave, looking
West.]
[Illustration: FIG. 1006.--St. Machar’s Cathedral. West Front.]
[Illustration: FIG. 1007.--St. Machar’s Cathedral. West Doorway.]
with a round and cusped arch (Fig. 1009). The ground story of both
towers is barrel vaulted; the apartment in the south tower has had a
rude door knocked through the front wall, and is now used as a place for
keeping spades and shovels in.
[Illustration: FIG. 1008.--St. Machar’s Cathedral. View from
South-West.]
The south elevation (Fig. 1008) is marked by the same simplicity as the
west front, being designed to suit the intractable material of which it
is built. The clerestory is an absolutely plain wall, pierced by narrow
round arched windows, without a moulding of any kind, while the windows
of the side aisles are filled with the simplest tracery. The effect of
this part of the building is much marred by the removal of the parapet
which formerly ran along the top of the wall. The south porch is a
dignified structure. It was evidently meant to have a room over the
entrance, for which a window is provided; but there is no indication of
there ever having been an upper floor or an access stair, and the
considerable height, as viewed from the inside, has an unmeaning
appearance. The resemblance between this porch and the south porch of
St. Michael’s, Linlithgow, is striking, both having the inner
crow-stepped gable built on the aisle wall. In the latter porch the
upper room has been completed.
[Illustration: FIG. 1009.
St. Machar’s Cathedral.
Top of West Windows.]
The north aisle wall of the cathedral, which is fortunately not so well
seen as the south wall, is quite modern, and has a mean and paltry
appearance.
Public-domain text, read in full here on John Shaqi.
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