Bishop Leighton also built, in 1424, the north transept, or, as it was called, St. John’s Aisle, where the beautiful sculpture of that bishop’s effigy now lies inglorious beneath a rough brick arch (Fig. 1012). His tomb appears to have been entire when Orme (who died about 1725) wrote his description of the cathedral.[46] He describes it as an effigy _in pontificalibus_, on an altar tomb with a canopy, under which is this inscription: “_Hic jacet bone memorie Henricus de Lichtoun_,” &c. Huddled in behind the figure there is a large stone slab with an inscription, which can hardly be seen on account of the rubbish and ivy. The south transept was built by Bishop Dunbar in 1522. And so recently as the time of Orme large portions of it, which have now disappeared, [Illustration: FIG. 1011.--St. Machar’s Cathedral. Part of East Pier from Transept.] were standing, if, indeed, it was not almost entire at that date. Orme speaks of the “top of this aisle” as having then been taken down for the miserable purpose of furnishing stones for new buildings at the college; and he also mentions large windows as then existing, all of which have vanished. Indeed, almost nothing of this transept now remains except the tomb of the founder, Bishop Gavin Dunbar (Fig. 1013), and an empty tomb to the left of it, which were complete when Orme wrote. The latter contained the effigy of a bishop, “a lion at his feet, and under his head a pointed helmet for a cushion; arms, a lion rampant _queue fourche_ debruised by a bend charged with three escallops.”[47] This was probably a tomb of the end of the sixteenth century. The foliage round the arch, modelled from seaweed, is carved with great spirit. Dunbar’s tomb is perhaps the finest of the minor pieces of work now remaining here. It is remarkable how it escaped destruction on various occasions, and especially in 1693, when a gang of religious fanatics broke his effigy in pieces, defaced the inscription, smashed the hanging cusped tracery round [Illustration: FIG. 1012.--St. Machar’s Cathedral. Monument of Bishop Leighton.] the arch (apparently firing guns at it), and threw down the top of the monument. The existing cornice, with its two rows of corbels, was erected afterwards; and it must be allowed that it harmonises well with the earlier work, although it has more of the spirit of domestic than of ecclesiastical architecture. A similar kind of battlement is introduced over the centre panel of the Amond Monument, at Ellon, in the same county (see [Illustration: FIG. 1013.--St. Machar’s Cathedral. Tomb of Bishop Dunbar in South Transept.]