The service ended; the great doors opened, and the warm, golden, Roman
evening rushed into the church. Irene turned her steps homewards,
enjoying the blue sky, and the gay good-natured Sunday crowd that filled
the streets. Somewhere in the distance a military band was playing, the
air was full of laughter and merriment. Pretty children, in their best
frocks, and with little bare legs, were frolicking about to the evident
delight of their parents, who watched them with tender caressing smiles.
“How glorious, how beautiful life is!” thought Irene, still under the
impression of the singing. But having traversed two streets and turned
into the Piazza Venezia, she suddenly stopped short, horror-struck.
“But they did not sing about earthly love _at all_!” she exclaimed to
herself in complete confusion. “How could such thoughts ever be awakened
by their prayers? How did it happen? How came I to fall into such an
error?”
Irene was both amazed and ashamed, and decided to say nothing to Père
Etienne about her impressions of the service. This, however, was not as
easy as it seemed. The wily priest cross-examined her severely, and
of course, Irene ended by admitting everything. Père Etienne frowned.
He knew all about this tragic “Demon,” singing so passionately in the
desert—he had met him twice in the corridor, on the way to Irene’s room!
“You are far too impressionable,” he observed severely, “and music
evidently irritates your nerves. You will do better to attend the
lectures of Monsignor Berra, in the convent of the Ursulines.”
Irene agreed, and, on the appointed day, knocked at the small door of the
convent in the Via Flavia. The sister who answered her knock glanced at
the pass ticket in Irene’s hand, and led her through a quadrangle with
slim Gothic columns. Irene was astonished at the silence. Only a few
steps away was the crowded, noisy street—yet here reigned the stillness
of the grave. She raised the leather curtain with which the doors of
churches in Rome are always covered during the winter, and found herself
in a cold, damp, but very elegant chapel, filled with ladies, young
girls, and children. Men were not admitted here—only two abbots were
modestly hiding themselves in a corner.
The nuns, true to their traditions, did not show themselves at all, but
from somewhere on high came the sound of the organ, while the fresh young
voices of the convent school children sang the prayers.
“Well,” thought Irene with a smile, “at least this singing will not lead
me into temptation!”
After a short service, Monsignor Berra, a handsome, clever old man,
entered the pulpit. Expressing himself in that most elegant French that
was once spoken at the French Court, but that is now forgotten by all
except, perhaps, the clergy, he began a lecture on Esther.
Public-domain text, read in full here on John Shaqi.
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