The Escape of Mr. Trimm: His Plight and other Plights — John Shaqi
The Escape of Mr. Trimm: His Plight and other PlightsCobb, Irvin S. (Irvin Shrewsbury)
General
The Escape of Mr. Trimm: His Plight and other Plights
Cobb, Irvin S. (Irvin Shrewsbury)
Crime -- Fiction; Judges -- Fiction; Short stories
She looked downward and outward upon one of those New York side streets
that is precisely like forty other New York side streets: two unbroken
lines of high-shouldered, narrow-chested brick-and-stone houses, rising
in abrupt, straight cliffs; at the bottom of the canyon a narrow river
of roadway with manholes and conduit covers dotting its channel
intermittently like scattered stepping stones; and on either side wide,
flat pavements, as though the stream had fallen to low-water mark and
left bare its shallow banks. Daylight would have shown most of the
houses boarded up, with diamond-shaped vents, like leering eyes, cut in
the painted planking of the windows and doors; but now it was night
time--eleven o'clock of a wet, hot, humid night of the late summer--and
the street was buttoned down its length in the double-breasted fashion
of a bandmaster's coat with twin rows of gas lamps evenly spaced. Under
each small circle of lighted space the dripping, black asphalt had a
slimy, slick look like the sides of a newly caught catfish. Elsewhere
the whole vista lay all in close shadow, black as a cave mouth under
every stoop front and blacker still in the hooded basement areas. Only,
half a mile to the eastward a dim, distant flicker showed where Broadway
ran, a broad, yellow streak down the spine of the city, and high above
the broken skyline of eaves and cornices there rolled in cloudy waves
the sullen red radiance, born of a million electrics and the flares from
gas tanks and chimneys, which is only to be seen on such nights as this,
giving to the heaven above New York that same color tone you find in an
artist's conception of Babylon falling or Rome burning.
From where the woman stood at the window she could make out the round,
white, mushroom top of a policeman's summer helmet as its wearer leaned
back, half sheltered under the narrow portico of the stoop just below
her; and she could see his uniform sleeve and his hand, covered with a
white cotton glove, come up, carrying a handkerchief, and mop the hidden
face under the helmet's brim. The squeak of his heavy shoes was plainly
audible to her also. While she stayed there, watching and listening, two
pedestrians--and only two--passed on her side of the street: a messenger
boy in a glistening rubber poncho going west and a man under an umbrella
going east. Each was hurrying along until he came just opposite her, and
then, as though controlled by the same set of strings, each stopped
short and looked up curiously at the blind, dark house and at the figure
lounging in the doorway, then hurried on without a word, leaving the
silent policeman fretfully mopping his moist face and tugging at the
wilted collar about his neck.
After a minute or two at her peephole behind the window curtains above,
the woman passed back through the door to the inner, middle room where
the man sat.
Public-domain text, read in full here on John Shaqi.
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