The Every-day Book and Table Book. v. 2 (of 3): or Everlasting Calendar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the AlmanacHone, William
History
The Every-day Book and Table Book. v. 2 (of 3): or Everlasting Calendar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac
Hone, William
Days; Great Britain -- Social life and customs
Some curious circumstances are connected with the name of this saint,
who appears to have been a poor ignorant girl, born near Milan, where
she worked in the fields for her living. Conceiving a desire to become a
nun, she sat up at night to learn to read and write, which, her
biographer says, for want of an instructor, was a great fatigue to her.
He proceeds to tell us, that she was relieved from labour of that kind
in the following manner:--“One day, being in great anxiety about her
learning, the mother of God, in a comfortable vision, bade her banish
that anxiety, for it was enough if she knew three letters.” So Veronica
became a nun, seeking “the greatest drudgery,” desiring “to live always
on bread and water,” and dying “at the hour which she had foretold, in
the year 1497, and the fifty-second of her age. Her sanctity was
confirmed by miracles.” We gather this from Alban Butler, who subjoins,
by way of note, thus:--
“_The print of the holy face of our Saviour on a linen cloth_ is kept
in St. Peter’s church at Rome, with singular veneration.--Some private
writers and churches have given the name of St. Veronica to the devout
woman who is said to have presented this linen to our divine Redeemer,
but without sufficient warrant.”
* * * * *
Before saying any thing concerning the earlier St. Veronica, or “this
linen” whereon Romish writers allege Christ impressed his own portrait
by wiping his face with it, mention may be made of _another_ portrait of
him which Romish writers affirm he miraculously executed in the same
manner, and sent to Abgarus, king of Edessa, in the way hereafter
related. They have further been so careful as to publish a print of this
pretended portrait, with representations around illustrating the history
they tell of it. An engraving from it immediately follows. The Latin
inscription beneath their print is placed beneath the present
engraving.
[Illustration: ~Effigies Christi Domini.~
_Ex ipsomet Divino Exemplari_ AD ABGARUM _missa Genuæ in Ecclesia_
S^{ti}. Bartolomæi _Clericorum Reg._ S^{ti}. Pauli _Summa Veneratione
asservato_
~Accuratissime Expressa.~]
No circumstance is more remarkable than the existence of this pretended
resemblance, as an object of veneration in the Romish church. Being one
of the greatest curiosities in its numerous cabinets of relics, it has a
place in this work, which, while it records manners and customs,
endeavours to point out their origin, and the means by which they have
been continued. Nor let it be imagined that these representations have
not influenced our own country; there is evidence to the contrary
already, and more can be adduced if need require, which will
incontestably prove that many of our present popular customs are derived
from such sources.
NATURALISTS’ CALENDAR.
Mean Temperature 35·27.
~January 14.~
1826. Oxford Hilary Term begins.
SAILORS.
Public-domain text, read in full here on John Shaqi.
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