Very interesting, and very characteristic both of this time and of its
art, is the construction and the external appearance of this arch. It
consisted of a series of three ring courses one above another, each of
them covered by a flat course. The lower ring of the outside is
destroyed and has disappeared completely. The bricks of our arch are of
the usual form, not wedge-shaped. The laying is so slightly radial that
at the vertex an actual three-cornered gap remains filled in with
chopped brick. The central bricks were covered with asphalt before being
laid, the lower ones are laid in mud and asphalt. The inner imposts are
bound together by clamps made of poplar wood soaked in asphalt on a
system which can no longer be clearly worked out. The lower ring alone
formed an actual arch, each of the two higher rings begin some courses
higher than the last and follow only a part of the semicircle, thus
forming a segment. They begin nevertheless with a brick laid horizontal
and not sloping. It is obvious that the planning of this arch
construction is very faulty and inconsistent in comparison with Roman
stone vaulting.
The wall stands throughout on a level foundation bed. On the outside it
is perpendicular, but on the inside the courses recede a little one
behind the other, causing a slight slope and rendering the walls
somewhat thicker below than they are above. This batter of the walls
never occurs in buildings that are indisputably of the time of
Nebuchadnezzar.
On to this old piece of wall, with its three towers to the north and the
south, the later walls are built with grooved and tongued expansion
joints (see p. 36), for which purpose the old wall was hacked out as far
as necessary. The later wall is plain; it formed, however, only a
foundation for the now destroyed upper part, which certainly must have
been furnished with towers. By this new building the old wall appears to
have been strengthened within as by a Kisu, to which the palace walls
are closely fitted by means of plain expansion joints.
Public-domain text, read in full here on John Shaqi.
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