The Expositor's Bible: The Song of Solomon and the Lamentations of JeremiahAdeney, Walter F. (Walter Frederic)
Religion
The Expositor's Bible: The Song of Solomon and the Lamentations of Jeremiah
Adeney, Walter F. (Walter Frederic)
Bible. Lamentations -- Commentaries; Bible. Song of Solomon -- Commentaries
If this book had been read in its literal signification and its
wholesome lesson absorbed by Christendom in the Middle Ages, the
gloomy cloud of asceticism that then hung over the Church would have
been somewhat lightened, not to give place to the outburst of
licentiousness that accompanied the _Renaissance_, but rather to allow
of the better establishment of the Christian home. The absurd legends
that follow the names of St. Anthony and St. Dunstan would have lost
their motive. Hildebrand would have had no occasion to hurl his
thunderbolt. The Church was making the huge mistake of teaching that
the remedy for dissoluteness was unnatural celibacy. This book taught
the lesson--truer to nature, truer to experience, truer to the God who
made us--that it was to be found in the redemption of love.
Can it be denied that the same lesson is needed in our own day? The
realism that has made itself a master of a large part of popular
literature reveals a state of society that perpetuates the manners of
the court of Solomon, though under a thin veil of decorum. The remedy
for the awful dissoluteness of large portions of society can only be
found in the cultivation of such lofty ideas on the relation of the
sexes that this abomination shall be scouted with horror. It is
neither necessary, nor right, nor possible to contradict nature. What
has to be shewn is that man's true nature is not bestial, that satyrs
and fauns are not men, but degraded caricatures of men. We cannot
crush the strongest passion of human nature. The moral of the Song of
Solomon is that there is no occasion to attempt to crush it, because
the right thing is to elevate it by lofty ideals of love and
constancy.
Public-domain text, read in full here on John Shaqi.
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