The extraordinary confessions of Diana PleaseCapes, Bernard
General
The extraordinary confessions of Diana Please
Capes, Bernard
Femmes fatales -- Fiction; France -- Fiction; Historical fiction; Naples (Kingdom) -- Fiction; Women -- Fiction
I dropped into a chair, and he followed me, and squatted himself on
the floor, a very abortion of passion, yet moving somehow in his
grotesqueness. I kicked off my slippers, and put my feet into his
hands--
“There,” I said, “they are tired, Gogo. Soothe them while you talk.”
He caressed the weariness from them, as gentle as a woman.
“I am at odds,” he said, in a low great voice, full of emotion, “I am
at odds with what remains of myself. How can I reconcile this with my
loyalty to the poor inspired ape I serve, and love through serving?”
“How did you come to serve him?” I whispered, half drugged by the
creature’s touch. “You are cleverer than he, better educated, and all
that.”
“I love,” he groaned, “I have always loved, to find romantic excuses
for the material uglinesses of life; to get a little salt out of its
offences. Who are those who say the visible form is but an expression
of the individual spirit--an internal autocracy shaping itself on the
surface? Poor atomists who cannot feel the pressure of all eternity
moulding them from without! Amidst sordid functions they go groping
for the essence, turning blank faces to the sweet air, the sun in the
trees, the far-drawn winds, the song of birds and scent of flowers,
all the spirit influences which really shape us. The soul ceases at
the portals of the senses. The dross it carries with it alone goes on
and in. _We_ are but so many obstructions in the vast harmony--foreign
bodies which it is for ever striving to penetrate and decompose. It
focuses its burning light upon us; it takes the swimming heavens for
its lens; and we die and are dissolved into it. Only in rare instances
does the process wring from us a fine frenzy, or melt us into song;
and then we see genius--genius, which fools call self-issuing, but
which is really spirit reflected, like heat cast back from a wall.”
“You odd creature,” I murmured. “You may go on, though I don’t
understand you a bit. Has Mr. de Crespigny been half melted into song?
I shouldn’t be surprised, by his appearance.”
“Nor do _I_ understand,” he said. “I can find romance in everything
external to man, but I can’t pursue it into his organic tissues. Can
_you_ be so penetrated by it, and yet not perish, or even show one
scar? I think you are immortal, woman; unless it is the genius of
human beauty which you reflect, and which will presently destroy and
annihilate you. Why, then, I would give my own soul to keep you
soulless, you wretched, adorable child.”
“Gogo!” I protested, too languid to be resentful.
“Ay!” he said, his voice hoarse with miserable passion. “Let me speak.
It is all the licence I ask. I know my place, if I have grown confused
about my service. What I don’t know is why I, a free spirit, who have
never before truckled to the flesh, should suddenly find myself bound
to it, soul and honour.”
He bent and kissed the foot he was caressing; then quickly sat up, and
set his strong teeth.
Public-domain text, read in full here on John Shaqi.
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