After that, she watched him with increasing interest and, when he turned
his head in that listening attitude, a curious, resentful light came into
her eyes.
Presently, she asked abruptly, "What is it that you hear?"
"I thought I heard music," he answered, coloring slightly and turning to
his work with suddenly absorbing interest.
"The violin that so enchanted you when I came to break the spell?" she
persisted playfully--though the light in her eyes was not a playful light.
"Yes," he answered shortly; stepping back and shading his eyes with his
hand for a careful look at his canvas.
"And don't you know who it is?"
"You said it was an old professor somebody."
"That was my _first_ guess," she retorted. "Was I right?"
"I don't know."
"But it comes from that little box of a house, next door, doesn't it?"
"Evidently," the artist answered. Then, laying aside his palette and
brushes he said abruptly, "That is all for to-day; thank you."
"Oh, so soon!" she exclaimed; and the regret in her voice was very
pleasing to the man who was decidedly not a mechanical something.
She started eagerly forward toward the easel. But the artist, with a quick
motion, drew a curtain across the canvas, to hide his work; while he
checked her with--"Not yet, please. I don't want you to see it until I say
you may."
"How mean of you," she protested; charmingly submissive. Then,
eagerly--"And do you want me to-morrow? You do, don't you?"
"Yes, please--at the same hour."
When the Quaker Maiden's dress was safely hidden under her wrap, Mrs.
Taine stood, for a moment, looking thoughtfully about the studio; while
the artist waited at the door, ready to escort her to the automobile. "I
am going to love this room," she said slowly; and, for the first time, her
voice was genuinely sincere, with a hint of wistfulness in its tone that
made him regard her wonderingly.
She went to him impulsively. "Will you, when you are famous--when you are
a great artist and all the great and famous people go to you to have their
portraits painted--will you remember poor me, I wonder?"
"Am I really going to be famous?" he returned doubtfully. "Are you so sure
that this picture will mean success?"
"Of course I am sure--I _know_. You want to succeed don't you?"
Aaron King returned her look, for a moment, without answering. Then, with
a quick, fierce determination that betrayed a depth of feeling she had
never before seen in him, he exclaimed, "Do I want to succeed! I--I must
succeed. I tell you I _must_."
And the woman answered very softly, with her hand upon his arm, "And you
shall--you shall."
* * * * *
Conrad Lagrange and Czar found the artist on the front porch, pulling
moodily at his pipe.
"Is it all over for to-day?" asked the novelist as he stood looking down
upon the young man with that peculiarly piercing, baffling gaze.
Public-domain text, read in full here on John Shaqi.
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