“A party at Ariana Joyce’s. I wasn’t doing any more harm there than the
rest of the Allied armies. But it was pretty odious.” The memory jarred
into the present satisfaction. He halted his long fingers on the keys
and Margot came rustling in, her gown of sheer black muslin painted
with yellow flowers and gold combs in her hair.
“Were you playing L’Après Midi?--And he’s only twenty, Olive! Most
Americans don’t rise to respectable music until they’ve lost all their
money and have to come and live over here. Any nails in your shoes,
Gurdy? We’re going to a dance.”
“Where?” asked Olive.
“Something for war widows at Mrs. Rossiter-Rossiter-Rossiter’s--that
fat woman from Victoria. I promised some one or other I’d come. We’ll
go in time for supper.”
The charity dance seemed less fevered than dances in Paris. There were
ranks of matrons about the walls of a dull, long room. At midnight
Margot rescued him from a girl who was using him as an introduction to
American economics and found a single table in the supper hall. Here
the batter of ill played ragtime was endurable and the supping folk
entertained him.
“The country’s so ghastly with houses shut and no servants that most
people have stuck to town,” Margot said, refusing wine. “Lot of
eminences here. Who’re you looking at?”
“The dark girl in pink. She’s familiar.”
“She should be. She has a press agent in New York. Lady Selene Tucker.
She’s going to marry that man who looks like a Lewis Baumer picture in
Punch as soon as every one’s in town again and she can get Westminster
Abbey and he can get his mother shipped to New Zealand, or somewhere.
His mother will drink too much and then tell lies about Queen Victoria.
She’s rather quaint. She sues for libel every time any one writes a
novel with a dissolute peeress in it. Frightfully self-conscious. Don’t
people who insist on telling you how depraved they are make you rather
ill? They always seem to think they’ve made such a good job of it. And
I could think of much worse things to do.--How nice your hair is! Like
Uncle Eddie’s.”
“Thanks. Who’s the skinny woman with the pearls?”
Margot put aside the palm branch that shadowed her chin and frowned.
“It looks like my namesake, Mrs. Asquith, from this angle.--No, it’s
Lady Flint. Oh, look at the big brute in mauve. Lovely, isn’t she?”
He looked at the shapely, fair woman without interest. The round of
Margot’s forearm took his eyes back.
“Lovely? Why?”
Public-domain text, read in full here on John Shaqi.
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