In walking along the River Boyne, from Slane to Knowth and New Grange, I
stopped at the cottage of Owen Morgan, at Ross-na-Righ, or 'the Wood of
the Kings', though the ancient wood has long since disappeared; and as
we sat looking out over the sunlit beauty of Ireland's classic river,
and in full view of the first of the famous _moats_, this is what Owen
Morgan told me:--
_How the Shoemaker's Daughter became the Queen of Tara._--'In olden
times there lived a shoemaker and his wife up there near Moat Knowth,
and their first child was taken by the queen of the fairies who lived
inside the moat, and a little leprechaun left in its place. The same
exchange was made when the second child was born. At the birth of the
third child the fairy queen came again and ordered one of her three
servants to take the child; but the child could not be moved because of
a great beam of iron, too heavy to lift, which lay across the baby's
breast. The second servant and then the third failed like the first, and
the queen herself could not move the child. The mother being short of
pins had used a needle to fasten the child's clothes, and that was what
appeared to the fairies as a beam of iron, for there was virtue in steel
in those days.
'So the fairy queen decided to bestow gifts upon the child; and advised
each of the three servants to give, in turn, a different gift. The first
one said, "May she be the grandest lady in the world"; the second one
said, "May she be the greatest singer in the world"; and the third one
said, "May she be the best mantle-maker in the world." Then the fairy
queen said, "Your gifts are all very good, but I will give a gift of my
own better than any of them: the first time she happens to go out of the
house let her come back into it under the form of a rat." The mother
heard all that the fairy women said, and so she never permitted her
daughter to leave the house.
'When the girl reached the age of eighteen, it happened that the young
prince of Tara, in riding by on a hunt, heard her singing, and so
entranced was he with the music that he stopped to listen; and, the song
ended, he entered the house, and upon seeing the wonderful beauty of the
singer asked her to marry him. The mother said that could not be, and
taking the daughter out of the house for the first time brought her back
into it in an apron under the form of a rat, that the prince might
understand the refusal.
Public-domain text, read in full here on John Shaqi.
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