The Festival of Spring, from the Díván of Jeláleddín: Rendered in English Gazels after Rückert's Versions, with an Introduction and a Criticism of the Rubáiyát of Omar KhayyámJalal al-Din Rumi, Maulana
PhilosophySufism
The Festival of Spring, from the Díván of Jeláleddín: Rendered in English Gazels after Rückert's Versions, with an Introduction and a Criticism of the Rubáiyát of Omar Khayyám
Jalal al-Din Rumi, Maulana
Omar Khayyam. Rubaiyat; Sufi poetry, Persian
These effusions are, after all, only amusing manifestations of the Omar
Khayyám Distemper. It has, however, unhappily a deeper significance. Mr.
Fitzgerald's success has arisen mainly from his playing into the
_pessimistic and cynical mood_ of the time, and here lies its moral
danger, especially to young, unguarded and unthinking, readers. Let them
be assured that all this is bad thought, bad taste, bad effort. The
_Byronic_ mood is not only unhealthy, but is critically antiquated, and
cannot be permanently recalled in any relation whatever. Better—much
better—than this is the healthy, if somewhat rabid, physical progression
of Mr. Rudyard Kipling, even to 'ride with the reckless seraphim on the
brim of a red-maned star'! If they will not take it from us, let them
listen to the powerful and earnest words of a lofty, original, spiritual
thinker with which he corrected the kindred morbid tendencies of his
day, and which are again singularly relevant here. Says Professor
Ferrier in a noble and indignant outburst: 'These aberrations betoken a
perverse and prurient play of the abnormal fancy—groping for the very
holy of holies in kennels running with the most senseless and
God-abandoned abominations. Our natural superstitions are bad enough;
but thus to make a systematic business of fatuity, imposture, and
profanity, and to imagine, all the while, that we are touching on the
precincts of God's Spiritual Kingdom, is unspeakably shocking. The
horror and disgrace of such proceedings were never even approached in
the darkest days of heathendom and idolatry. Ye who make shattered
nerves and depraved sensations the interpreters of truth—ye who
inaugurate disease as the prophet of all wisdom, thus making sin, death,
and the devil, the lords paramount of the creation—have ye bethought
yourselves of the backward and downward course which ye are running into
the pit of the bestial and the abhorred? Oh, ye miserable mystics! when
will ye know that all God's truths and all man's blessings lie in the
broad health, in the trodden ways, and in the laughing sunshine of the
universe, and that all intellect, all genius, is merely _the power of
seeing wonders in common things_!'
With this impressive appeal we pause, for the present. The standpoint
and genius of Jeláleddín could not possibly be better expressed than in
Ferrier's closing words.
GLASGOW: PRINTED AT THE UNIVERSITY PRESS BY ROBERT MACLEHOSE AND CO.
THE VISION OF GOD
As represented in Rückert's Fragments. Rendered in English Rhyme by W.
HASTIE, D.D. Price 2s. nett.
KANT'S COSMOGONY
As in his Essay on the "Retardation of the Rotation of the Earth," and
his "Natural History and Theory of the Heavens." With Introduction,
Appendices, and a Portrait of Thomas Wright, of Durham. Edited and
Translated by W. HASTIE, D.D., Professor of Divinity, University of
Glasgow. Crown 8vo. 7s. 6d. nett.
Public-domain text, read in full here on John Shaqi.
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