The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present dayNobili, Riccardo
History
The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present day
Nobili, Riccardo
Art -- Forgeries; Collectors and collecting; Forgery of antiquities
Oliver Forza, or Forzetta, who flourished about the year 1335,
seems to have owned the first complete collection of which we have
notice. Forzetta was a wealthy citizen of Treviso. We know that in
the above year of 1335 he came to Venice to buy several pieces for
his collection, manuscripts of the works of Seneca, Ovid, Sallust,
Cicero, Titus, Livius, etc., goldsmiths’ work, fifty medals that had
been promised him by a certain Simon, crystals, bronzes, four statues
in marble, others representing lions, horses, nude figures, etc. The
latter seem to have belonged to an earlier collector named Perenzolo.
To point out that even outside Italy taste had changed at the beginning
of the 15th century, we may quote the following description handed down
to us by Guillebert de Metz. It gives a full account of the collection
of Jacques Duchie, a Parisian, and indicates that at this early time
Paris must have possessed more than one of these collections of art and
curios.
“The house of master Duchie in the rue des Prouvelles,” says Guillebert
de Metz, “the door of which is carved with marvellous artistry; in the
courtyard there were peacocks and diverse fancy birds. The first hall
is adorned with diverse pictures and instructive texts fixed to and
hung on the walls. Another hall filled with all manner of instruments,
harps, organs, viols, guitars, psalters, and others, upon all of which
the said master Jacques knew how to play. Another hall was furnished
with chess tables and other diverse kinds of games, great in number.
_Item_, a beautiful chapel where there were stands to place books
upon, marvellously wrought, which had been sent from diverse places
far and near, to the right and to the left. _Item_, a study the walls
of which were covered with precious stones and with spices of sweet
odour. _Item_, several other rooms richly furnished with beds and with
ingeniously carved tables and adorned with rich hangings and cloth of
gold. _Item_, in another lofty room were a great number of cross-bows,
some of which were painted with beautiful figures. Here were standards,
banners, pennons, bows, pikes, swords, lances, battle-axes, iron and
lead armour, _pavais_, shields, bucklers, cannon and other engines,
with arms in abundance, and, briefly, there were also all manner of
war implements. _Item_, there was a window of wonderful workmanship,
through which you put a hollow iron mask through which you could look
out and speak to those outside, if occasion arose, without making
yourself known. _Item_, above the whole house was a square room with
windows on every side from which one could overlook the town. And when
it came to eating, food and drink were sent up by a pulley, because
it would have been too high up to carry. And above the pinnacles of
the house were beautiful gilt figures. This master Jacques Duchie was
a handsome man ‘_de honneste hebit_’ and very distinguished; he kept
well-mannered and well-trained servants of pleasing countenance, among
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