Bildungsromans; Country life -- Fiction; England -- Fiction; Pastoral fiction; Siblings -- Fiction
I tried to imagine what it would be like when I got there. The Coliseum
I knew, of course, from a woodcut in the history-book: so to begin with
I plumped that down in the middle. The rest had to be patched up from
the little grey market-town where twice a year we went to have our hair
cut; hence, in the result, Vespasian’s amphitheatre was approached by
muddy little streets, wherein the Red Lion and the Blue Boar, with
Somebody’s Entire along their front, and ‘Commercial Room’ on their
windows; the doctor’s house, of substantial red-brick; and the façade
of the New Wesleyan chapel, which we thought very fine, were the chief
architectural ornaments: while the Roman populace pottered about in
smocks and corduroys, twisting the tails of Roman calves and inviting
each other to beer in musical Wessex. From Rome I drifted on to other
cities, faintly heard of—Damascus, Brighton (Aunt Eliza’s ideal),
Athens, and Glasgow, whose glories the gardener sang; but there was a
certain sameness in my conception of all of them: that Wesleyan chapel
would keep cropping up everywhere. It was easier to go a-building
among those dream-cities where no limitations were imposed, and one
was sole architect, with a free hand. Down a delectable street of
cloud-built palaces I was mentally pacing, when I happened upon the
Artist.
He was seated at work by the roadside, at a point whence the cool
large spaces of the downs, juniper-studded, swept grandly westwards.
His attributes proclaimed him of the artist tribe: besides, he wore
knickerbockers like myself,—a garb confined, I was aware, to boys
and artists. I knew I was not to bother him with questions, nor look
over his shoulder and breathe in his ear—they didn’t like it, this
_genus irritabile_. But there was nothing about staring in my code of
instructions, the point having somehow been overlooked: so, squatting
down on the grass, I devoted myself to the passionate absorbing of
every detail. At the end of five minutes there was not a button on him
that I could not have passed an examination in; and the wearer himself
of that homespun suit was probably less familiar with its pattern and
texture than I was. Once he looked up, nodded, half held out his
tobacco pouch, mechanically as it were, then, returning it to his
pocket, resumed his work, and I my mental photography.
After another five minutes or so had passed, he remarked, without
looking my way: ‘Fine afternoon we’re having: going far to-day?’
‘No, I’m not going any farther than this,’ I replied; ‘I _was_ thinking
of going on to Rome: but I’ve put it off.’
‘Pleasant place, Rome,’ he murmured: ‘you’ll like it.’ It was some
minutes later that he added: ‘But I wouldn’t go just now, if I were
you: too jolly hot.’
‘_You_ haven’t been to Rome, have you?’ I inquired.
‘Rather,’ he replied briefly: ‘I live there.’
Public-domain text, read in full here on John Shaqi.
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