Springfield (Ill.) -- Fiction; Springfield (Ill.) -- In literature; Utopias in literature
But in the Mystic Year, Springfield is rather to be discussed, for
instance—as a convention center, which has at last evolved into the home
of a perpetual World’s Fair. It is as of old, a travelling man’s home
city, a retired farmer’s place of sleep, a state official’s paradise.
Agricultural experts, coal mining experts, would-be statesmen of the
middle west, have the same general relation to the city about them that
they had in the ancient days of the horse-cars, and the Sangamon County
Fair. The town has many of its ancient types. But they are overshadowed
by the sculptors, the motion picture scenario writers, the motion
picture directors and actors, and the prophets and sibyls of all the
arts that go to make up a University Fair. The entrance examination for
permanent residence in Springfield, except for the native-born, is the
same as that for the Universities of America. The native-born, no matter
how stupid or cranky, cannot be banished. There are so many extreme
followers of the various local religious and philosophical sects that
Springfield is as much a Hobby Horse Fair as University Fair, if we are
to believe the wits and the laughing poets.
One index of the hobby riding character of the place is the way the
humorous columnist, Romanoff, in the _Boone Ax_ characterizes
conspicuous people, even at the risk of suit. Today’s _Boone Ax_
contains a new epithet: “The Muttering Thibetan,” a name for the young
architect and protege of St. Friend, the Bread Giver. This youth makes
his acquaintances impatient by talking to the empty air as he walks the
streets.
The columnist names himself: “The Sentimental Romanoff.” He it is who
named John Short, political rebel and painting teacher: “Sparrow Short.”
He perpetually hounds the mayor with the nicknames: “Slick Slack
Kopensky” and “Sims’ Bitters.” This last is because Mayo Sims is deemed
the boss and Kopensky his dose to be administered to the town in regular
spoonsful.
The deathless industrial revolution that followed the war with Germany
still rumbles along elsewhere, with strikes, boycotting, blacklistings,
picketings, street barricades, dynamitings, massacres, and general
annoyances and bedevilment:—advancing, retreating, and advancing again,
through three generations and around the world.
But, for the most part, the soreheads outside of Springfield,
particularly those stewing in their own caldrons in Chicago, serve
vicariously to set us free. We are wrestling with more up-to-date
nuisances, with a brighter goal in sight.
It is the dream of a human beehive far from the Marxian society. It is
something on the newest New Harmony model, a Springfield that is
democratic, artistic, religious, and patriarchal, and therefore
following many of the most ancient forms and metaphors of orthodoxy, as
an electric light may be softened and given its final character by the
shell of an ancient horn lantern.
Public-domain text, read in full here on John Shaqi.
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