The Guinea Stamp: A Tale of Modern GlasgowSwan, Annie S.
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The Guinea Stamp: A Tale of Modern Glasgow
Swan, Annie S.
Glasgow (Scotland) -- Fiction
He did not remove his cigar, but looked down upon the pale face of
Gladys with a kind of familiar approval which hurt her, and made her
long to flee from the place.
'No; shut up, an' let her a-be,' answered Liz tartly. 'Hae ye a
programme?'
'Yes, but you don't deserve it for being so shabby,' said the gorgeous
youth, putting on a double eyeglass, and still honouring Gladys with his
attention.
'I hope you will enjoy the performance, miss,' he added. 'Did you hear
Frivol's song? It was very clever, quite the hit of the evening.'
Gladys never opened her mouth. When she afterwards looked back on that
experience, she wondered how she had been able to preserve her calm,
cold unconcern, which very soon convinced the youth that his advances
were not welcome. Liz looked round at her, and, noting the proud,
contemptuous curl of the girl's sweet lips, laughed up in his face.
'It's no go, Mr. Sinclair. Let's see that programme, an' dinna be mean.'
But the discomfited Mr. Sinclair, in no little chagrin, departed as
rudely as he came.
'Ye dinna want a gentleman lover, Gladys,' whispered Liz. 'He's struck,
onybody can see that, an' he's in business for himsel'. I'm sure he's
masher enough for you. Wull I gie him the hint to come back?'
'I'm going home, Liz. This is no place for me, nor for any of us, I know
that,' said Gladys, quite hotly for her.
'Oh no, you're no'. We must hae oor sixpenceworth. Bide or nine, onyhoo.
That's just twenty meenits. Here's the acrobats; ye'll like that.'
The acrobatic performance fascinated Gladys even while it horrified and
almost made her sick. She watched every contortion of the bodies with
the most morbid and intense interest, though feeling it to be hideous
all the time. It excited her very much, and her cheeks flushed, her eyes
shone with unwonted brilliance. When it was over, she rose to her feet.
'I'm going out, Liz. This is a bad place; I know it is. I'm going home.'
Liz looked up, with annoyance, at the clock.
'It's too bad; aichteenpence awa' for naething, but I suppose we maun
gang. I've to leave mysel', onyway, at nine. Ye'll bide, Teen, yersel'?'
'No' me. There's no' much the nicht, onyway,' answered Teen; and her
weird black eyes wandered restlessly through the hall, as if looking in
vain for an absent face. So the three quitted the place in less than
half an hour after they had entered it.
One of the audience watched their movements, and left the hall
immediately behind them by another door. As they moved along the busy
street some one touched Liz on the shoulder, and Gladys felt her hand
tremble as it lay on her arm.
'I maun say guid-nicht here, Gladys,' she said hurriedly, and her cheeks
were aflame. 'I'm vexed ye didna like the play. I meant it weel. Ye'll
see her hame, Teen?'
'Ay,' answered Teen, and next moment Liz was gone.
Gladys, glancing back, saw her cross the street beside a tall,
broad-shouldered, handsome-looking man, though she could not see his
face.
Public-domain text, read in full here on John Shaqi.
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