The Harvest of a Quiet Eye: Leisure Thoughts for Busy LivesVernon, John Richard
Religion
The Harvest of a Quiet Eye: Leisure Thoughts for Busy Lives
Vernon, John Richard
Christian life
But those throbbing coos must stay our foot ere we quite leave the
wood. The Dove--its voice is, of course, the embodiment of love;
troubled, but not passionate; earnest, but not of earth merely. It has
a melancholy vehemence, a sobbing urging of its cause, that is rather
the voice of one seeking the good of another than its own delight.
There is a tremulousness, a trembling fulness that might be that of
one bidding farewell in death to some very dear friend whom he fain
would win to the right and happy path, but for whom he sadly stands
in doubt. There is such abundance from which to speak, such love and
such mournfulness in saying it, that you smile with the tears near
your eyes, on suddenly recollecting whither fancy was leading you, and
that it is, after all, but the old old story being beautifully and
melodiously told. For you caught a sight of the ash-blue wing, the mild
eye, and swelling crop, and of the mate on a branch close by; and so
your fancy was overturned.
But there is one song which we shall not hear yet, as we return home
from the wood; of which, nevertheless, some words must be said. Yet
what words have even the greatest word-masters yet found for the
NIGHTINGALE’S unearthly melody! What other song has even a likeness
of the instantaneous and riveting fascination that is produced by
one note of this? It is music which speaks, not to what we call the
heart, merely, or the intellect, merely, but straight at once to that
mysterious divine thing within us, which we call the spirit.
And so it represents that recognition of, and yearning for, an ideal
perfection and beauty, which many own, but few can express. And thus we
start to hear it represented and embodied in sound without language,
and, without knowing how, acknowledge a dumb music in ourselves which
is closely akin to this superhuman and unearthly song. And we cannot,
if we try, exactly define its character; some call it joyous; more
sorrowful. But perhaps there is a hint in it of something within us
higher and deeper than either of these; else how can it thus startle
and electrify our being? At least it tells us of melody that we cannot
yet grasp or fully understand, of beauty and harmony and perfection
that is not yet our own. And I liken it to the raptured speakings of
the prophet, or to an echo of the angelic messages seldom brought to
earth.
Public-domain text, read in full here on John Shaqi.
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