There is something fiendish in the look of exultation that lights Arthur
Dynecourt's face. He has a small dull lantern with him, and now it
reveals the vile glance of triumph that fires his eyes. He would fain
have entered to gaze upon his victim, to assure himself of his victory,
but he refrains. A deadly fear that he may not yet be quite dead keeps
him back, and, with a frown, he prepares to descend once more.
Again he listens, but the sullen roar of the rising night wind is all
that can be heard. His hand shakes, his face assumes a livid hue, yet he
tells himself that surely this deadly silence is better than what he
listened to last night. Then a ghostly moaning, almost incessant and
unearthly in its sound, had pierced his brain. It was more like the cry
of a dying brute than that of a man. Sir Adrian slowly starved to death!
In his own mind Arthur can see him now, worn, emaciated, lost to all
likeness of anything fair or comely. Have the rats attacked him yet? As
this grewsome thought presents itself, Dynecourt rises quickly from his
crouching position, and, flying down the steps, does not stop running
until he arrives in the corridor below again.
He dashes into this like one possessed; but, finding himself in the
light of the hanging lamp, collects himself by a violent effort, and
looks around.
Yes, all is still. No living form but his is near. The corridor, as he
glances affrightedly up and down, is empty. He can see nothing but his
own shadow, at sight of which he starts and turns pale and shudders.
The next moment he recovers himself, and, muttering an anathema upon his
cowardice, he moves noiselessly toward his room and the brandy-bottle
that has been his constant companion of late.
Yet, here in his own room, he can not rest. The hours go by with laggard
steps. Midnight has struck, and still he paces his floor from wall to
wall, half-maddened by his thoughts. Not that he relents. No feelings of
repentance stir him, there is only a nervous dread of the hour when it
will be necessary to produce the dead body, if only to prove his claim
to the title so dearly and so infamously purchased.
Is he indeed dead--gone past recall? Is this house, this place, the old
title, the chance of winning the woman he would have, all his own? Is
his hated rival--hateful to him only because of his fair face and genial
manners and lovable disposition, and the esteem with which he filled the
hearts of all who knew him--actually swept out of his path?
Again the lurking morbid longing to view the body with his own eyes,
the longing that had been his some hours ago when listening at the fatal
door, seizes hold of him, and grows in intensity with every passing
moment.
At last it conquers him. Lighting a candle, he opens his door and peers
out. No one is astir. In all probability every one is abed, and now
sleeping the sleep of the just--all except him. Will there ever be any
rest or dreamless sleep for him again?
Public-domain text, read in full here on John Shaqi.
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