Lastly, a fool was only half a fool without his bells. To show whence this ornament was derived, Flögel has ransacked libraries, and displayed a stupendous amount of learning to remarkably little purpose;--if that purpose were, to determine why they were worn by jesters. It is going to a period more than sufficiently remote, to say, that golden bells hung from the robe of the Jewish High Priest, and not for ornament only. They told of his presence; they rang man to thoughts of God; they rang away all the ill words that had fallen from human tongues; they represented the divine shadow; they warned men of death;--these and a hundred other significations have been found in the golden bells of the solemn High Priest. Further, the Eastern kings, and especially the Persian, were as famous for the bells they wore as the lady in the ballad about Banbury Cross. It was but the other day that the ex-Queen of Oude was received by our own Sovereign Lady, when the head-dress or crown of the former was remarkable for its number of jingling ornaments, which sounded like bells. Christian bishops early adopted this mode, and for many centuries subsequent to this, the pictures of some of the greatest personages, male and female, royal and noble, represent them with bells of fine fashion, attached to neck-chains, bracelets, or girdle. Knights wore them on their armour, ladies on their zones; and people who were in the very highest of the mode attached them to their shoes. When this was the custom, the continual jingle at tournament or ball must have been deafening; and, what was worse, if cavalier and demoiselle bethought themselves of taking a quiet walk together beneath the oaks in the woods, every rustic near was made the confidant of the pleasant matter, as far as bells could do it. The folly of this was so patent, that we cannot wonder at fools mounting the bells in their caps. Indeed, they mounted them not only in their caps, but on every part of the body. This was especially the case in the fifteenth century, when the fashion of wearing bells was abandoned to the professional merry-men. The mode itself, too, would seem to have prevailed in the East. As late as the seventeenth century, Tartar princes seldom stirred abroad in their barbaric splendour without a little knot of quaintly-dressed “Chaouls,” or fools, running in front of the gorgeous company, at whose every step the bells attached to their shoulders, knees, elbows, ankles, etc., jingled merrily. The Chaouls excited the mirth of their rather moody masters by satirical songs as they went along. In this latter custom we find a trace of the old usage of the Roman imperial soldiery who, at the ovations of Emperors, enjoyed full license of tongue, and took advantage of the triumph of their lord, to pelt him in rude songs with sly, rather than censuring, remarks alluding to his known or supposed vices. Suetonius furnishes us with more than one example of this sort.