London (England) -- Fiction; Theater -- Fiction; Young women -- Fiction
And Alexandra meant to try. There was one weapon she might have used to
shake Maggy’s loyalty to Woolf: the cruelly belittling way in which he
had referred to her just before her cab drove off. But she shrank from
that. It was too poisonous.
"What would you say if I asked you to leave him?" she asked. "Supposing
I needed you back with me?"
Maggy weighed the problem.
"I should say you jolly well knew I couldn’t come," she answered. "I’m
all in. If Fred was in Hell and wanted me there I believe I’d have to
get to him. You don’t know what it is."
"What is it?"
"It’s the little things about him that have eaten into me. I’m
corrupted, or corroded, whatever it is. Perhaps it’s both. I love the
white lock in his hair, the little pellet in his ear where he got
peppered out shooting once, the scent of his tobacco, the smell of a
Harris tweed suit he’s got." She sniffed sensuously. "And there are
other things I can’t tell you about...."
"If he were to die or married some one else you would have to resign
yourself to doing without him," argued Alexandra.
"Perhaps. I don’t know. He’s not dead or married, and I’m his. I know
he could manage without me. I’m just like an ornament to him. He dusts
me and puts me back on my shelf, and takes me down sometimes and has a
look at me. I hope to God he’ll never drop or break me!"
Alexandra was disturbed by the depth of passion in her voice.
"I know what you think about Fred," Maggy went on. "You think he’s
something near a cad. Well, there are lots of women who love cads and
who don’t know that they are cads. Perhaps I’m one of them. You can’t
put me out of this, Lexie dear. I don’t know how it’s going to end and
I don’t want to know. That’s where real life is rather like the stage.
The tag to a play’s kept dark, never spoken until the curtain’s about to
hide the players from view. If we knew how things were going to end
with us—knew the tags to our lives—I guess some of us wouldn’t be able
to go on with our parts off the stage."
It was like arguing with a fatalist. Her loyalty to Woolf was as
unalterable as destiny. Alexandra gave up trying to move her. She
changed the conversation, and an hour later Maggy went upstairs in
response to a message from Mrs. Lambert, who wanted to say good-by to
her.
Mrs. Lambert’s bedroom was in half darkness. She was still racked with a
headache, but she wanted to see Maggy and to hear whether Alexandra had
succeeded in persuading her to break with Woolf. For this purpose she
had left the two girls alone together. Maggy closed the door gently
behind her and tip-toed toward the bed.
"I’m so sorry you feel bad," she said feelingly. "It won’t do for me to
stop talking to you. That will make your head worse. I’ll just say
good-by and go. Thank you for being so kind to me. It was nice to come
and see Lexie here."
"You’re very fond of her?" asked Mrs. Lambert.
Public-domain text, read in full here on John Shaqi.
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