Architects -- Fiction; City and town life -- Fiction; Fathers and sons -- Fiction; Love stories; Middle West -- Fiction
Bruce remembered what Henderson had said about the guarded social
acceptance of the patent medicine manufacturer and his family; but
Millicent evidently didn’t resent her exclusion from the Claytons’
party. Social differentiations, Bruce imagined, mattered little to
this girl, who was capable of fashioning her own manner of life, even
to the point of building a temple for herself in which to worship gods
of her own choosing. When he expressed interest in her modeling, which
Dale Freeman had praised, Millicent led the way to a door opening into
an extension of the library beyond the knight’s window, that served
her as a studio. It was only a way of amusing herself, she said,
when he admired a plaque of a child’s profile she confessed to be
her work. The studio bore traces of recent use. Damp cloths covered
several unfinished figures. There was a drawing-board in one corner
and scattered among the casts on the wall were crayon sketches, merely
notes, she explained, tacked up to preserve her impressions of faces
that had interested her.
He was struck by her freedom from pretense; when he touched on
something of which she was ignorant or about which she was indifferent,
she did not scruple to say so. Her imaginative, poetical side expressed
itself with healthy candor and frequent flashes of girlish enthusiasm.
She was wholly natural, refreshingly spontaneous in speech, with no
traces of pedantry or conceit even in discussing music, in which her
training had gone beyond the usual amateur’s bounds.
“You haven’t been to see Leila yet? She asked you to call, and if you
don’t go she’ll think it’s because of that little unpleasantness on the
river. Leila’s altogether worth while.”
Bruce muttered something about having been very busy. He had determined
never to enter Franklin Mills’s house, and he was embarrassed by
Millicent’s intimation that Leila might take it amiss that he ignored
her invitation.
“Leila’s a real person,” Millicent was saying. “Her great trouble is
in trying to adjust herself to a way of life that doesn’t suit her a
little bit.”
“You mean----” he began and paused because he didn’t know at all what
she meant.
“I mean that living in a big house and going to teas and upholding the
dignity of a prominent and wealthy family bores her to distraction. Her
chief trouble is her way of protesting against the kind of life she’s
born to. It’s screamingly funny, but Leila just hates being rich, and
she’s terribly bored at having so much expected of her as her father’s
daughter.”
“His standard, then, is so high?” Bruce ventured, curious as to what
further she might say of her neighbor.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account