The House on the Moor, v. 2/3Oliphant, Mrs. (Margaret)
General
The House on the Moor, v. 2/3
Oliphant, Mrs. (Margaret)
Fiction
His other letter was that one which poor Roger Musgrave had written amid
all the echoes of his empty house. This agitated and excited the Colonel
much more than the other had done. His spectacles grew dim while he was
reading it--he gave utterance to various exclamations at the different
points of the letter. He said, "Very true!" "Very natural!" "Poor
fellow!" "Exactly as I should have felt myself!"--and showed other
demonstrations of interest in his restless movements and neglect of his
half-finished breakfast. The conclusion, however, threw him into evident
distress; he got up and walked about the room, stopping unconsciously to
take up a piece of useless paper on one of the tables and tear it into
little pieces. Anxiety and doubt became the prevailing expression of his
face. Here in a moment were all his plans for Roger deranged and broken
to pieces; and yet it was so natural, so characteristic, on the whole so
right and honest, that he could not say a word against it. But it did
not grieve him the less on that account. Roger was going to London, that
was the sole clue to him; and he had no reply from Sir John Armitage--no
response to his own appeal from the influential personages whom he
believed himself to have influence with.
"He'll be a private soldier by this time; most likely a Guardsman," said
the Colonel, and his imagination conjured up the splendid figures under
the arches at the Horse Guards with a positive pang, as he thought of
Roger Musgrave's ingenuous face turned, crimson and shame-faced, towards
the crowd. What could the Colonel do?--nothing but fill his mind with
anxious and uncomfortable reflections concerning the life and fortune,
and, besides these, the manners and morals, of his young _protegé_--and
wait.
Public-domain text, read in full here on John Shaqi.
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