"Look," he cried, in the midst of a game of leapfrog in which a number of the younger guests had plunged with desperate glee, "there is the moon. How pitably weak she seems, against this brilliance here! It bears out the theory that art is always finer than nature, and that the theatre is more picturesque than life. Look at what we are doing, this moment! We are imitating pleasure. And will you show me any unconscious pleasure that is so delightful as this?" By the time people had begun to feel a polite hunger Vane had completed his scheme of having several unwieldy barges brought alongside the _Beaurivage_. There were two of the clumsy but roomy decks on either side of the slender, shapely yacht. Over this now quite wide space the tables were arranged. While the supper went on, Orson Vane did a little monologue of his own. Nobody paid any attention, but everyone applauded. "What a scene for a comedy," he explained, proudly surveying the picture of the gaiety before him, "what a delicious scene! It is almost real. I must write a play around it. I have quite made up my mind to devote my life to the theatre. It is the only real life. It touches the emotions at all points; it is not isolated in one narrow field of personality. Have I your permission to put you all in my play? How sweet of you! I shall have a scene where we all race in automobiles. We will be quite like dear little children who have their donkey-races. But I think automobiles are so much more intelligent than donkeys, don't you? And they have such profound voices! Have you ever noticed the intonation of the automobiles here? That one of Mrs. Barrett Weston has a delicate tenor; it is always singing love-songs as if it were tired of life. Then we have bassos, and baritones, and repulsive falsettos. My automobile has a voice like a phonograph. When it bubbles along the avenue I can hear, as plainly as anything, that it is imitating one of the other automobiles. Some automobiles, I suppose, have the true instinct for the theatre. Have you noticed how theatric some of the things are, how they contrive to run away just when everyone is looking?" "Just like horses," murmured one of his listeners. "Oh, no; I wouldn't say that. Horses have a merely natural intelligence; it is nothing like the splendidly artificial reasoning of the automobile. The poor horse, I really pity him! He has nothing before him but polo. But how thankful he should be to polo. He was a broncho with disreputable manners; now he is a polo-pony with a neat tail. In time, I dare say, the horse can learn some of the higher civilization of the automobile, just as society may still manage to be as intelligent as the theatre."