The Industrial Arts in SpainRiaño, Juan F. (Juan Facundo)
History
The Industrial Arts in Spain
Riaño, Juan F. (Juan Facundo)
Decorative arts -- Spain -- History; Pottery -- Spain -- History
This object is similar in detail and the inscription to a bronze griffin
at the cemetery of Pisa; it belonged to the collection of the painter
Fortuny, and at the sale in 1875 it was bought by Mr. E. Piot.
The mortar is circular in form, and is surrounded by twelve prismatic
sections. Two lions' heads serve to support the hanging rings or
handles. The whole of the outside is most delicately carved with
arabesques, among which are to be met frequently figures of birds and
quadrupeds. See "El arte en Esp.," vol. iii., Madrid, 1864. The
following inscription in elegant Cufic characters runs round the upper
part: it is repeated twice. "Complete blessing, and ever-increasing
happiness and prosperity of every kind, and an elevated and happy
social position for its owner." From the richness of the ornamentation
of this object, it is probable that it was used to pound aromatic drugs.
A bronze lamp of a similar ornamentation was found some years ago at
Cordova--it is not unlike in form and shape Roman lamps of the same kind
made of earthenware. It is engraved all over, and the subject of a dog
pursuing a hare appears often repeated. None of these objects of bronze
work are however equal in importance to a lamp made during the reign of
Mohammed III. of Granada, now at the Archæological Museum, Madrid [See
Plate.] It is composed in its base of a body destined to hold the light,
upon which is supported a large four-sided piece in the form of a
pyramid, which is completed with an octagonal body which surmounts it.
Four graduated balls suspend it. The height of this lamp is 2½ yards,
and taking into account its general structure, it appears as if the
chains or intermediate pieces are wanting, which probably existed on the
inverted bell of the base. The manufacture and elegance of decoration of
this object is of a very high order, and may be compared with bronze
work of Damascus. The greater part of the pieces are covered with
pierced open work, and the motto of the Kings of Granada, "There is no
conqueror but God." In the lower part of the large pyramid, truncated in
four sides, is a long inscription in Arabian characters, stating the
lamp to have been made by order of Mohammed III. year of the Hegira, 705
(A.D. 1305).
The remaining objects of bronze work of Spanish-Moorish production are
less important. They are interesting notwithstanding. The spherical
perfume-burners which were used to roll on the pavement are highly
artistic and might be adopted in the present day. One or two bronze
buckets of a well exist at the Madrid Archæological Museum, with some
small objects of little importance found at Cordova. This artistic
industry has continued until the present day in Spain in the form of
objects of domestic use, such as brasiers, mortars and lamps, several of
which preserve their ancient traditional form.
[Illustration: MOORISH LAMP. ARCHÆOLOGICAL MUSEUM, MADRID.]
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