The International Magazine, Volume 4, No. 5, December 1851Various
History
The International Magazine, Volume 4, No. 5, December 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
could not write a life like Sterling's without feeling that his
relation to Christianity and the Church was the great fact for
him as for all of us; and that the change in him, from hearty
acceptance of Christian doctrine and church organization to
a rejection of the former and something very like contempt
for the latter, needed explanation. That explanation he has
sought in the overthrow of the balance of Sterling's life
through repeated attacks of illness, which shut him out from
practical duties, and threw him entirely upon speculation,
thereby disproportionately developing the negative side of
him, already too strong from early defects of education: and
few persons will, we should think, be found to deny Mr. Hare's
general position, that the pursuit of speculative philosophy
as the business of life has this tendency; Mr. Carlyle, we
should have supposed least of all men. But a special cause
interferes with Mr. Carlyle's recognition of the principle as
applicable to Sterling. Christianity, as understood commonly
perhaps everywhere, except, it may be, at Weimar and Chelsea,
and church formulas certainly as understood everywhere, he
is in the habit of classing under a category which in his
hands has become an extensive one--that of _shams_. He calls
them by various forcible but ugly names,--as "old clothes,"
"spectral inanities," "gibbering phantoms," or, with plainer
meaning, "huge unveracities and unrealities." That Sterling at
any time of his life accepted these for "eternal verities" he
cannot consider a step from the "no" to the "yes," nor their
repudiation as a step backwards from the "yes" to the "no." Let
him speak for himself. He is commenting on Sterling's entry
into orders as Mr. Hare's curate at Hurstmonceaux:
Public-domain text, read in full here on John Shaqi.
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