The journal of Frederick Horneman's travels, from Cairo to Mourzouk, the capital of the kingdom of Fezzan, in Africa, in the years 1797-8 — John Shaqi
The journal of Frederick Horneman's travels, from Cairo to Mourzouk, the capital of the kingdom of Fezzan, in Africa, in the years 1797-8Hornemann, Friedrich
History
The journal of Frederick Horneman's travels, from Cairo to Mourzouk, the capital of the kingdom of Fezzan, in Africa, in the years 1797-8
Hornemann, Friedrich
Berber languages; Fezzan (Libya) -- Description and travel; Libyan Desert -- Description and travel
The throne of Fezzan is hereditary: the crown, however, descends not
in all cases, directly from father to son: it is the eldest prince
of the royal family, who succeeds; and such may be a nephew, in
preference to a son who is younger. This custom frequently occasions
bloodshed: the son of the deceased sultan may be of sufficient age
to govern, though younger than the collateral heir; and having
interest and adherents formed by his past high connections and
situation, will often be ready to controvert the law of succession,
as inapplicable in principle to the case of himself and competitor,
equally arrived at the age of manhood and discretion: the question
of right is then decided by the sword.
The Sultan’s palace (or house) is situate within the circumvallation
of the castle or fortress of Mourzouk: he lives there retired,
and with no other inmate but the eunuchs, who wait upon him. His
Harem is contiguous; he never enters it, but the female whom he at
any time wishes to see, is conducted to his apartment. The Harem
consists of a Sultana, who, by rules of the empire, must be of the
family of the Shereefs of _Wadan_ or _Zuila_, and of about forty
slaves. These last are often sold and replaced by others, if they
do not bear children to the sultan, or do not otherwise endear
themselves to him by superior charms and accomplishments.
There is a place set apart within the precincts of the castle,
for those who attend on public business, from which a long narrow
vestibule leads to a door which opens into the principal apartment
of the sultan. The opening of that door is announced by the beating
of kettle-drums, as a signal of audience. The door of audience is
opened three times in each day. Those who on account of respect or
business, attend for introduction, are conducted by the long narrow
passage between slaves, who incessantly repeat, “May God prolong
the life of the sultan!” On coming to the door, the sultan appears
opposite, seated on an old fashioned elbow chair raised some steps,
and forming his throne. The person introduced, approaches, kisses
the hand of the sultan, raises it so as to touch his forehead,
then quits it, and kneels before him. He is permitted to state
his case, and address the sultan in ordinary and plain language,
but particular attention must be given, that the expressions, “God
prolong thy life;” “God protect thy country, &c.” be frequently
intermingled; and at each presentation, it is customary to offer a
small present. It is only on Fridays, or on some solemn festival,
that the sultan appears without the castle walls, and then he is
attended by his whole court. He goes on Fridays to the great mosque,
on horseback: on other days of solemnity or public occasion, he rides
on a plain without the town, where his courtiers prance and run their
horses round him, and exhibit their skill in equestrian exercises,
and in the art of shooting.
Public-domain text, read in full here on John Shaqi.
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