The Kingdom of Slender SwordsRives, Hallie Erminie
History
The Kingdom of Slender Swords
Rives, Hallie Erminie
East and West -- Fiction; Japan -- History -- Meiji period, 1868-1912 -- Fiction
Opposite the gate, a hedged lane opened, into which she turned, and
presently the song ceased. She had come to the newly built Chapel. Her
father's name was on the household list of the temple across the way,
but she herself walked each Sunday to Ts'kiji, to attend the bishop's
Japanese service in the Cathedral. When, influenced by a school-mate,
she had wished to become a Christian, the old _samurai_ had interposed
no objection. With the broad tolerance of the esoteric Buddhist, to whom
all pure faiths are good, he had allowed her to choose for herself. She
had grown to love the strangely new and beautiful worship with its
singing, its service in a tongue that she could understand, its Bible
filled with marvelous stories of old heroes, and with vivid imagery like
that of the _Kojiki_, the "Record of Ancient Matters" or the
_Man-yoshu_, the "Collection of a Myriad Leaves," over whose archaic
characters her father was always poring. She had ceased to visit the
temple, but otherwise the change had made little difference in her
placid life. With the simplicity with which the Japanese of to-day
kneels with equal faith before a plain _Shinto_ shrine and a golden
altar of Buddha, she had continued the daily home observances. Each
morning she cleaned the _butsu-dan_--refilled its tiny lamp with
vegetable oil, freshened its incense-cup and water bowl, and dusted its
golden shrine of Kwan-on which held the scroll inscribed with the spirit
names of a hundred ancestors, and the _ihai_, or mortuary tablet, of her
dead mother. Though she no longer prayed before it, it still signified
to her the invisible haunting of the dead--the continuing loving
presence of that mother who waited for her in the _Meidoland_.
For many days Haru had watched the progress of the Chapel building. The
Cathedral was a good two miles distant, but this was near her home; here
she would be able to attend more than the weekly Sunday service.
To-night, as she looked at the cross shining in the moonlight, she
thought it very beautiful. A tiny symbol like it, made of white enamel,
was hung on a little chain about her neck. It had been given her by the
bishop the day of her confirmation. She drew this out and swung it about
her finger as she walked on.
In the Street-of-Prayer-to-the-Gods were no huge and gloomy compounds.
It was a roadway of humbler shops and homes, bordered with mazes of
lantern fire, and lively with pedestrians. At a meager shop, pitifully
small, whose _shoji_ were wide open, Haru paused. A smoky oil lamp swung
from the ceiling, and under its glow, a woman knelt on the worn
_tatamé_. Beside her, on a pillow, lay a newborn baby, and she was
soothing its slumber by softly beating a tiny drum close to its ear. She
nodded and smiled to Haru's salutation.
"_Hai! Ojo-San_," she said. "_Go kigen yo!_ Deign augustly to enter."
Public-domain text, read in full here on John Shaqi.
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