The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the SiameseYoung, Ernest
Religion
The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the Siamese
Young, Ernest
Thailand -- Religious life and customs; Thailand -- Social life and customs
It is an easy matter to obtain some idea of the daily life and
surroundings of the poorer inhabitants of Siam, for their houses are
such open structures that every enquiring eye may gaze therein without
any interruption. They spend so much of their time, and pursue so
many of their employments in the open air, that even the most casual
observer could not fail to rapidly acquire much information concerning
their domestic life and customs. In the case of the wealthier classes
there is much more privacy. They may be described as living also a
kind of double life. Their houses are divided into two parts; in
one quarter they live their own native life after their own native
fashion; in the other portion an attempt is made to reproduce the
European style of living. This latter part is the only one shown to
the European visitor. He is received in a drawing-room with tables and
chairs, piano and pictures; he dines in a room where the dishes are of
European pattern, the servants have the habits of European waiters,
and the menu contains only such dishes as are known to be palatable
to the white man. All the surroundings are of such an unmistakably
foreign origin, that the visitor looks in vain for any trace of the
life and manners of the native in the house of his wealthy host.
Were he permitted to pass beyond the bounds set by modern fashion,
he would possibly find much to interest and amuse in the real house
of the native prince or nobleman. As this is more or less unusual or
impossible, he is forced to seek for his information in those poorer
dwellings, which the forward march of so-called civilisation has, as
yet, left completely untouched.
Public-domain text, read in full here on John Shaqi.
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