The Knickerbocker, Vol. 22, No. 3, September 1843 — John Shaqi
The Knickerbocker, Vol. 22, No. 3, September 1843Various
General
The Knickerbocker, Vol. 22, No. 3, September 1843
Various
Periodicals
These cliffs have always felt the gentle wash, or the leaping weight
of the waters. This lake felt no change when its surface was first
broken by the keel of civilized man; its voice is as loud in wrath,
and as soft in calm, and its pulsations are as deep, as when it
made music to solitude, and disported itself alone! And by this is
taught the enquirer one useful lesson (and on what page of her great
book, does not Nature speak such instruction?) in human life. When
a man is great, he is elevated above the heads of his fellow men so
far, that the objects and passions which are so vast to them seem
to him, from the distance, very small. And one of the first things
that he loses sight of, is love of the approbation of the world. If
he ever manifests this love, it is a sign that he has descended;
and it is not surprising that he should sometimes; for he cannot
be expected to be so elevated, except periodically. But when he is
doing a great work, he goes forward like these waves, in his own
strength, and in the majesty of his own purposes; and the breath of
the crowd, whether sent forth to applaud or condemn, is like the
idle wind, which passes by and touches him not. The history of every
poet, or philosopher, or politician, who has himself gone before,
and hastened on the slow footsteps of his generation in the march
of improvement, would illustrate this principle. They have, each
one, forgotten the world, and toiled to discover and elaborate some
new truth, for its own sake, or for the sake of others; and when
the gem was duly set, luminous, to shed light on man's pathway,
and beautiful, to elevate and refine his mind, purify and warm his
heart, it has been cast down with a careless hand, for those who
will, to pick up.
I might exhibit this position more familiarly, by appealing to the
consciousness of every writer; the present writer, for instance; and
assuring _him_ if he ever wrote or thought any thing really good,
when he was pondering all the while what other people would think or
say concerning it? It is impossible: he paints a scene or landscape,
or analyzes passion, because he loves to do so; and of course, does
it best when he forgets for the moment that his picture or reasoning
will come under the eye of any one else. Man can make music fit for
the stars to hear, only when he makes it _to_ the stars; and then
when men hear it, they will call it the music of the spheres.
Public-domain text, read in full here on John Shaqi.
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