The Lady from Nowhere: A Detective StoryHume, Fergus
Philosophy
The Lady from Nowhere: A Detective Story
Hume, Fergus
Detective and mystery stories; England -- Fiction; Murder -- Investigation -- Fiction
Gebb in this manner argued the case for and against Ferris, for the
young man's conduct displayed such a mixture of caution and rashness
as to perplex the detective. Still it was no use, as he well knew, to
waste his time in making bricks without straw, when the arrest of the
culprit might enable him to gain a frank explanation of these
obviously silly actions; so Gebb, on the evidence of the pawning,
procured a warrant and proceeded to take Ferris in charge. As a
further mark of the man's folly, he had given a wrong name but a right
address; and Gebb, proceeding to Chelsea, asked at an Eden Street
house for Mr. Brown, only to be told that Mr. Ferris was the sole
lodger in it. The naïve simplicity of this novice in crime almost made
the detective swear to his innocence on the spot.
"Confound it!" said Gebb, disconcerted by this, "the man has gone
about the pawning so openly that I really believe he is guiltless of
the crime. Either that or he's a born fool, although even that is
doubtful Miss Wedderburn is not the sort of woman to love an idiot,
although she does protect one. Seems to me as I'm dealing with a lot
of crazy folk."
Ferris chanced to be absent at the time of Gebb's visit, but was
expected back every moment; so, on intimating that he wished to see
the artist on a matter of importance, and would wait for his return,
the detective was shown into the studio. It was a bare apartment of
some size, with ample light, but few decorations. Ferris seemed to be
rather a hard worker than an artistic dandy, for there were scattered
around none of the knickknacks and "bibelots" which many painters love
to collect. There was a sprawling clay-figure near a carpeted daïs for
the model, specimens of work on the walls, plaster heads and
unfinished pictures lying about in disorder, and on the easel, beside
a rusty iron stove, a landscape picture in progress of painting.
Altogether the studio looked anything but that of a Sybarite, and in
no wise accorded with Prain's description of Ferris as a scamp, for
scamps as a rule owe their doubtful reputations to their assiduity in
gratifying all their tastes, the best and the worst.
"Yet he must have been hard pushed for money to murder that old woman
in order to rob her," said Gebb. "So, if he is economical here, I
expect he is wasteful in other ways. Hullo! here's a letter on the
writing-table with the Norminster postmark. Empty!" he added in
disgust, finding no letter inside. "Yet it is from that girl, I am
certain. The handwriting is that of a woman. Hum! And yesterday's
date, I see by the postmark. She had been writing to warn him. She
knows all about the matter. I wish I could find the letter. She's a
deep one, that girl, and as sharp as a needle. She wouldn't have
bungled the murder as Ferris has done."
Public-domain text, read in full here on John Shaqi.
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