Transatlantic voyages -- Fiction; Venice (Italy) -- Fiction; Voyages and travels -- Fiction; Young women -- Fiction
“In California. My father had gone out for his health, but he died
there.”
“Oh!” said Staniford. He had a book in his hand, and he began to
scribble a little sketch of Lydia's pose, on a fly-leaf. She looked
round and saw it. “You've detected me,” he said; “I haven't any right to
keep your likeness, now. I must make you a present of this work of art,
Miss Blood.” He finished the sketch with some ironical flourishes, and
made as if to tear out the leaf.
“Oh!” cried Lydia, simply, “you will spoil the book!”
“Then the book shall go with the picture, if you'll let it,” said
Staniford.
“Do you mean to give it to me?” she asked, with surprise.
“That was my munificent intention. I want to write your name in it.
What's the initial of your first name, Miss Blood?”
“L, thank you,” said Lydia.
Staniford gave a start. “No!” he exclaimed. It seemed a fatality.
“My name is Lydia,” persisted the girl. “What letter should it begin
with?”
“Oh--oh, I knew Lydia began with an L,” stammered Staniford, “but
I--I--I thought your first name was--”
“What?” asked Lydia sharply.
“I don't know. Lily,” he answered guiltily.
“Lily _Blood_!” cried the girl. “Lydia is bad enough; but _Lily_ Blood!
They couldn't have been such fools!”
“I beg your pardon. Of course not. I don't know how I could have got the
idea. It was one of those impressions--hallucinations--” Staniford found
himself in an attitude of lying excuse towards the simple girl, over
whom he had been lording it in satirical fancy ever since he had seen
her, and meekly anxious that she should not be vexed with him. He began
to laugh at his predicament, and she smiled at his mistake. “What is the
date?” he asked.
“The 15th,” she said; and he wrote under the sketch, _Lydia Blood. Ship
Aroostook, August_ 15, 1874, and handed it to her, with a bow surcharged
with gravity.
She took it, and regarded the picture without comment.
“Ah!” said Staniford, “I see that you know how bad my sketch is. You
sketch.”
“No, I don't know how to draw,” replied Lydia.
“You criticise.”
“No.”
“So glad,” said Staniford. He began to like this. A young man must find
pleasure in sitting alone near a pretty young girl, and talking with her
about herself and himself, no matter how plain and dull her speech is;
and Staniford, though he found Lydia as blankly unresponsive as might be
to the flattering irony of his habit, amused himself in realizing that
here suddenly he was almost upon the terms of window-seat flirtation
with a girl whom lately he had treated with perfect indifference, and
just now with fatherly patronage. The situation had something more even
than the usual window-seat advantages; it had qualities as of a common
shipwreck, of their being cast away on a desolate island together. He
felt more than ever that he must protect this helpless loveliness, since
it had begun to please his imagination. “You don't criticise,” he said.
“Is that because you are so amiable? I'm sure you could, if you would.”
Public-domain text, read in full here on John Shaqi.
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