The Lenape Stone; or, The Indian and the MammothMercer, Henry C.
History
The Lenape Stone; or, The Indian and the Mammoth
Mercer, Henry C.
Delaware Indians; Mammoths; Picture-writing, Indian
1st. The carvings were made in ancient times by an Indian of
superior artistic skill, who had seen a living mammoth, and
who wished to preserve some myth or tradition relating to the
animal, in picture-writing upon his gorget; or,
2d. The carvings were made by an Indian in comparatively recent
times, with the same idea of preserving a myth about the "great
beast," and he was aided in his work by some white man; or,
3d. That the carving is the work of some white man in very
recent times, who may or may not have known of the myth and
tradition of the Indians relating to the "mammoth."
An attempt to read the stone as a pictograph illustrating the
myth of the "great beast" may be going too far, but if it can be
shown to be a piece of Indian work beyond reasonable doubt, the
interpretation of the figures in that connection is certainly
legitimate from the remarkable coincidence between them and the
myth.
I certainly hope you will bring every possible evidence to bear
in your work, and that by a study of many pictographs you will
be able to test the doubtful figures on the stone.
Yours very truly,
[Signed] F. W. PUTNAM,
Curator Peabody Museum.
Extracts from a report of an examination of the Lenape Stone by Dr.
M. E. Wadsworth, of Cambridge, Massachusetts. The answers are Dr.
Wadsworth's.
Q. Are the carvings made by steel or flint instruments?
A. The depth and regularity of the carvings indicate that they were
made by some dulled steel tool like an awl.
Q. Are the carvings later than the fracture of the ends and the middle?
A. Later--for the tool-mark can be seen at one end striking across the
broken surface, and lines crossing the middle fracture do not match on
both sides. On one side they pass down on the rounded and worn surface
of the fracture, below their position on the other side. This is seen
in all the marks (three only) crossing the line of fracture. One other
line sinks down on one side, and ends against the fractured portion
opposite. This appears to have been made after the fracture by holding
the pieces together. It is very remarkable that the line of fracture
should cross the specimen at the only place it could and intersect the
minimum number of the lines of carving. Even in two of those cuts, the
fracture breaks across the point where they cross one another. * * *
[Signed] M. E. WADSWORTH.
Cambridge, Massachusetts,
March 17, 1884.
Extracts from a report of an examination of the Lenape Stone by Mr. J.
P. Iddings, of the U. S. Coast Survey. The answers are Mr. Iddings'.
Q. Can it be decided beyond reasonable doubt whether the carvings were
made with a steel or flint instrument--is there a great probability
either way?
A. I do not know.
Q. Are the carvings beyond a reasonable doubt later than the fracture
in the middle--(or other fractures)?
Public-domain text, read in full here on John Shaqi.
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