The Letters of Charles Dickens. Vol. 2, 1857-1870Dickens, Charles
General
The Letters of Charles Dickens. Vol. 2, 1857-1870
Dickens, Charles
Dickens, Charles, 1812-1870 -- Correspondence; Novelists, English -- 19th century -- Correspondence
I suppose it is clear that the next letter I write is Katie's. Either
from Cork or from Limerick, it shall report further. At Limerick I read
in the theatre, there being no other place.
Best love to Mamie and Katie, and dear Plorn, and all the boys left when
this comes to Gad's Hill; also to my dear good Anne, and her little
woman.
Ever affectionately.
[Sidenote: Mr. W. Wilkie Collins.]
GAD'S HILL PLACE, HIGHAM BY ROCHESTER, KENT,
_Monday, Sept. 6th, 1858._
MY DEAR WILKIE,
First, let me report myself here for something less than eight-and-forty
hours. I come last (and direct--a pretty hard journey) from Limerick.
The success in Ireland has been immense.
The work is very hard, sometimes overpowering; but I am none the worse
for it, and arrived here quite fresh.
Secondly, will you let me recommend the enclosed letter from Wigan, as
the groundwork of a capital article, in your way, for H. W.? There is
not the least objection to a plain reference to him, or to Phelps, to
whom the same thing happened a year or two ago, near Islington, in the
case of a clever and capital little daughter of his. I think it a
capital opportunity for a discourse on gentility, with a glance at those
other schools which advertise that the "sons of gentlemen only" are
admitted, and a just recognition of the greater liberality of our public
schools. There are tradesmen's sons at Eton, and Charles Kean was at
Eton, and Macready (also an actor's son) was at Rugby. Some such title
as "Scholastic Flunkeydom," or anything infinitely contemptuous, would
help out the meaning. Surely such a schoolmaster must swallow all the
silver forks that the pupils are expected to take when they come, and
are not expected to take away with them when they go. And of course he
could not exist, unless he had flunkey customers by the dozen.
Public-domain text, read in full here on John Shaqi.
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