The revolution which upset the throne of Charles X., and ushered in the eighteen years' reign of the Citizen King, seemed likely to have momentous consequences for Italy. The principle of non-intervention proclaimed by French politicians would, if logically enforced, sound the death-knell of the Austrian power in Italy. Dupin, the Minister of War, enlarged on the theme in a speech which appeared to remove all doubt as to the real intentions of the Government. 'One phrase,' he remarked, 'has made a general impression; it expresses the true position of a loyal and generous Government. Not only has the President of the Council laid down the principle that France should abstain from intervention; he has declared that she would not tolerate intervention on the part of others. France might have shut herself up in a cold egotism, and simply said that she would not intervene; this would have been contemptible, but the proclamation of not suffering the interventions of others is the noblest attitude a strong and magnanimous people can assume; it amounts to saying: Not only will I not attack or disturb other nations, but I, France, whose voice is respected by Europe and by the whole world, will never permit others to do so. This is the language held by the ministry and by the ambassadors of Louis Philippe; and it is this which the army, the National Guard, France entire, is ready to maintain.' Truly language was invented to travesty the truth, and when French politicians say they are going to the right it is an almost sure sign that they are going to the left; nevertheless, is it possible to blame the Italians who read in these assurances a positive promise affecting their own case? The same assurances were repeated again and again through the winter of 1830-31; they were repeated authoritatively as late as March in the latter year. Well may a French writer inquire: 'Was it insanity or treachery?' The good tidings were published by the Italian exiles, who, living close to the great centres of European politics, were the first to intoxicate themselves with the great delusion. From London, Gabriele Rossetti sent the exultant summons: Cingi l'elmo, la mitra deponi, O vetusta Signora del mondo: Sorgi, sorgi dal sonno profondo, Io son l'alba del nuovo tuo dì. Saran rotte le vostre catene, O Fratelli che in ceppi languite; O Fratelli che il giogo soffrite Calcherete quel giogo col piè. The child beside whose cradle the ode was written, was to grow to manhood while Italy still remained 'the weeping, desolate mother.' The cry of the poet was not, however, without an echo. In 1831, Romagna, Parma and Modena rose in rebellion.