The Library of Entertainment: HandbookScammell, John Chilton
General
The Library of Entertainment: Handbook
Scammell, John Chilton
Literature -- Collections
Each style has its merits and its faults, each is powerful in the
hands of a genius and each fails when used by incompetents. The
average drama depends largely upon the actors for its success, it can
hardly be classed among literary efforts. Only the plays wrought by
masters of thought as well as of speech can be given a place in the
realm of literature.
Æschylus
Calderon
Euripides
Goethe
Ibsen
Jonson
Lessing
Marlowe
Molière
Racine
Rostand
Schiller
Shakespeare
Sheridan
Sophocles
ORATORY
The art of addressing a large gathering and winning their support, as
well as their attention, by sound argument and also by eloquence is
a study that is in danger of falling into a decline, owing perhaps
to the prevalence of newspapers and the rapidity with which an
argument or an idea can be spread broadcast over the world by the
telegraph and the press. In reading even the finest speeches of the
past or the present allowance must almost always be made for the
personal magnetism of the speaker, the appeal made by his presence,
his gestures, and his voice. For this reason it is difficult to form
a just estimate of the worth of a speech, especially at a date when
the subject has become less vital or even unfamiliar through the
passage of time. The sole bases of criticism under these conditions
must be the force of the argument and the eloquence of the style.
This is aptly illustrated in the case of Burke, whose arguments were
admitted to be irresistible in their strength, but who had so poor a
delivery that he was called the dinner-bell of the House of Commons,
in reference to the departure of the members when he rose to speak.
The most influential speakers have been those who combined skill in
argument with grace and eloquence and reinforced these qualities with
a commanding personality. These talents are needed to-day if we are
to maintain the standard set by Washington, Webster, and Lincoln.
Bright
Brooks
Burke
Channing
Choate
Demosthenes
Henry
Lincoln
Mirabeau
Phillips
Robertson
Sumner
Washington
Webster
PHILOSOPHY AND SCIENCE
The aim of philosophy, like that of science, is to probe the mystery
of life, to discover as far as possible the nature of man and of the
universe in which he dwells. These efforts began when men first asked
"What am I? What is this world?" Philosophy attempts the answer by
reasoning and meditation, while science uses inventions, such as the
telescope, mathematical calculation, and all other means of obtaining
accurate information regarding the physical environment and nature
of man. The former is concerned with the spirit, the unseen, the
motives of honor, love, and the like, and the infinite possibilities
of the mind and the soul; the latter deals with the actual, material
conditions of life. The best of scientific literature so closely
borders on philosophy that it has been included among the selections
that treat of philosophic problems.
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