The Life, Crime, and Capture of John Wilkes BoothTownsend, George Alfred
History
The Life, Crime, and Capture of John Wilkes Booth
Townsend, George Alfred
Assassins -- United States -- Biography; Booth, John Wilkes, 1838-1865; Lincoln, Abraham, 1809-1865 -- Assassination
Taking this captain along for a guide, the worn out horsemen retraced,
though some of the men were so haggard and wasted with travel that they
had to be kicked into intelligence before they could climb to their
saddles. The objects of the chase thus at hand, the detectives, full of
sanguine purpose; hurried the cortege so well along that by 2 o'clock
early morning, all halted at Garrett's gate. In the pale moonlight three
hundred yards from the main road, to the left, a plain old farmhouse
looked grayly through its environing locusts. It was worn and
whitewashed, and two-storied, and its half-human windows glowered down
upon the silent cavalrymen like watching owls, which stood as sentries
over some horrible secret asleep within. The front of this house looked
up the road toward the Rappahannock, but did not face it, and on that
side a long Virginia porch protruded, where, in the summer, among the
honeysuckles, the humming bird flew like a visible odor. Nearest the
main road, against the pallid gable, a single-storied kitchen stood, and
there were three other doors, one opening upon the porch, one in the
kitchen gable, and one in the rear of the farmhouse.
Dimly seen behind, an old barn, high and weather-beaten, faced the
roadside gate, for the house itself lay to the left of its own lane; and
nestling beneath the barn, a few long corn-cribs lay with a cattle shed
at hand. There was not a swell of the landscape anywhere in sight. A
plain dead level contained all the tenements and structures. A worm
fence stretched along the road broken by two battered gate posts, and
between the road and the house, the lane was crossed by a second fence
and gate. The farm-house lane, passing the house front, kept straight on
to the barn, though a second carriage track ran up to the porch.
[Illustration: Plan of Garrett's House.
_A_ Door through which the dying man was brought. _B_ Corner at which
the barn was fired. _C_ Spot in the barn on which Booth stood. _D_ Point
where Corbett fired. _E_ Porch where Booth died. _G_ Door at which
Lieutenant Baker knocked. _H_ Shed. _I_ Kitchen.]
It was a homely and primitive scene enough, pastoral as any farm boy's
birth-place, and had been the seat of many toils and endearments. Young
wives had been brought to it, and around its hearth the earliest cries
of infants, gladdening mothers' hearts, had made the household jubilant
till the stars came out, and were its only sentries, save the bright
lights at its window-panes as of a camp-fire, and the suppressed
chorusses of the domestic bivouac within, where apple toasting and nut
cracking and country games shortened the winter shadows. Yet in this
house, so peaceful by moonlight, murder had washed its spotted hands,
and ministered to its satiated appetite. History--present in every nook
in the broad young world--had stopped, to make a landmark of Garrett's
farm.
Public-domain text, read in full here on John Shaqi.
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