13.) Israelitish quickness gets the better of Philistine stupidity, as it had been used to do from Sampson's time onwards, and the dull-witted king falls into the trap, and laughs away the suspicions with a clumsy joke at his servants' expense about more madmen being the last thing he was short of. A hasty flight from Philistine territory ended this episode. [H] The Septuagint appears to have followed a different reading here from that of our present Hebrew text, and the change adds a very picturesque clause to the description. A madman would be more likely to hammer than to "scrabble" on the great double-leaved gate. The fifty-sixth psalm, which is referred by its title to this period, seems at first sight to be in strange contrast with the impressions drawn from the narrative, but on a closer examination is found to confirm the correctness of the reference by its contents. The terrified fugitive, owing his safety to a trick, and slavering like an idiot in the hands of his rude captors, had an inner life of trust strong enough to hold his mortal terror in check, though not to annihilate it. The psalm is far in advance of the conduct--is it so unusual a circumstance as to occasion surprise, that lofty and sincere utterances of faith and submission should co-exist with the opposite feelings? Instead of taking the contrast between the words and the acts as a proof that this psalm is wrongly ascribed to the period in question, let us rather be thankful for another instance that imperfect faith may be genuine, and that if we cannot rise to the height of unwavering fortitude, God accepts a tremulous trust fighting against mortal terror, and grasping with a feeble hand the word of God, and the memory of all his past deliverances. It is precisely this conflict of faith and fear which the psalm sets before us. It falls into three portions, the first and second of which are closed by a kind of refrain (vers. 4, 10, 11)--a structure which is characteristic of several of these Sauline persecution psalms (_e.g._, lvii. 5, 11; lix. 9, 17). The first part of each of these two portions is a vivid description of his danger, from which he rises to the faith expressed in the closing words. The repetition of the same thoughts in both is not to be regarded as a cold artifice of composition, but as the true expression of the current of his thoughts. He sees his enemies about him, ready to swallow him up--"there be many fighting against me disdainfully"[I] (ver. 2). Whilst the terror creeps round his heart ("he was sore afraid," 1 Sam. xxi. 12), he rouses himself to trust, as he says, in words which express most emphatically the co-existence of the two, and carry a precious lesson of the reality of even an interrupted faith, streaked with many a black line of doubt and dread.