Belasco, David, 1853-1931; Theater -- United States
Shiels’ Opera House on July 14, 1873, and it was the first, or one of
the first, stage adaptations of the story to be acted in America:
piratical versions of it eventually became so numerous that, at one
time, they could be bought for $10! Collins, in the disgraceful state of
American copyright law at that time, was helpless to prevent what he
designated, in writing to me, as the “larcenous appropriation of my poor
’Magdalen.’” As illustrating the practical value of priority in such
matters and an injury often inflicted on authorship, it is significant
to recall that Le Roy’s scissored version of the novel and Miss
Pateman’s performance in it were much preferred, in San Francisco, to
the drama made by Collins, as it was acted there, at the California
Theatre, by Carlotta Leclercq (1838-1893), September 22, 1873.--This was
the cast of the principal parts at Shiels’:
_Rev. Julian Gray_ Frank Roche.
_Horace Holmcroft_ Charles Edmonds.
_Surgeon Ignatius Wetze_ A. D. Billings.
_Lady Janet Roy_ Mrs. Charles Edmonds.
_Grace Roseberry_ Jean Clara Walters.
_Mercy Merrick_ Bella Pateman.
Writing about the production of Le Roy’s “larcenous appropriation,”
Belasco has said: “When it was ready it represented a week of pasting,
cutting, and putting together.... It proved to be one of the greatest
successes San Francisco ever had.... As for the actress, Bella Pateman,
she was a wonderful woman of tears, always emotionally true, and she
became the idol of the hour, for her _Mercy Merrick_ showed her to be an
artist of great worth.” Miss Pateman was an accomplished actress (her
professional merit was much extolled in conversation with me by both
Edwin Booth and Lawrence Barrett), and she became an exceptional public
favorite in San Francisco. Her first engagement in that city continued
until August 16, and, after July 14, it was devoted on all but four
nights to repetitions of “The New Magdalen.”
Belasco’s association with Le Roy brought him into contact with persons
influential in management of Shiels’ Opera House and he was fortunate
enough to be engaged as a member of a stock company which was organized
to succeed Miss Pateman there. The first star to appear with that
company was Joseph Murphy, in a revival, made August 18, of
[Illustration:
From an old photograph. The Albert Davis Collection.
JOSEPH MURPHY]
[Illustration:
From an old photograph. Courtesy of Mrs. Lou. Devney.
JOHN PIPER]
Public-domain text, read in full here on John Shaqi.
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