"Seven, eight, nine, ten." The fold of lace began to be taut. Drawing it toward her, she started on once more on that endless journey of a few inches. Thank heaven, the light in O'Reilly's bedroom had been switched off. The man must have given up the chase, and gone back to the sitting room. For the present she was safe from him. But what a queer word "safe" was, just then. "Eleven, twelve, thirteen." Thanks to the curtain rope, she had almost reached her goal. "Fourteen, fifteen." She had got so far that she could let the curtain go and fling her arms over the window sill. She threw her body upon it, and lay still for an instant, utterly spent now the strain was over. But was it over? No, not yet. If her feet slipped from the coping, she would have no strength for the effort of climbing in at the window. She would hang for a minute and then--drop. "The papers," she reminded herself, for a mental tonic. "They're so nearly safe now. Brace up, Clo! A minute more and you'll be out of trouble." The room beyond was, like O'Reilly's, unlighted. Thank goodness, there'd be no squalling lady's maid to give an alarm. Clo allowed herself time to breathe, resting on the window sill. Then she prepared to draw herself over. Wrapping the curtain round her right hand, and clutching the lace firmly with her left hand, she found a heavy piece of furniture just inside the window. It seemed to be a dressing-table with a mirror suspended between two spiral posts. Grasping one, Clo pulled the table closer, till it refused to move. This gave a lever on which she might depend. She clung to the curtain and post, till she could plant first one knee, then its fellow, on the window sill. It seemed an easy thing to do, and would have been easy had not her strength been nearly spent. Her quivering muscles responded slowly to this last call, but they did respond. Soon she was kneeling on the window sill. Then one foot was over, groping for the floor. She had just found it when a key grated in a lock, and before she could hide behind the curtains a door opened wide. A flood of light streamed in from the corridor, and outlined her white form against the blue background of the night. XV THE NUMBER SEVENTEEN To go back meant death, and the loss of Beverley's papers. Besides, she had been seen. For once, Clo's wits refused to work. Like a frozen flower, she remained motionless in the window. The figure in the doorway was that of a man. The light coming from behind made his face a blank for her eyes, but the girl saw that he was taller than O'Reilly and of a different build. Perhaps it was the owner of the suite, he who had gone out with the beautiful woman. The man made no move. He stood in the doorway as if rooted to the floor. "My God!" Clo heard him mutter. "The fool takes me for a ghost," she thought. "Now's my chance, before he plucks up courage!"