"I will sing you a song, my haughty moon. It is not my song. It is the
Mountain Lad's. It is what he nickers. Listen! He sings it again. This
is what he says: 'Hear me! I am Eros. I stamp upon the hills. I fill
the wide valleys. The mares hear me, and startle, in quiet pastures;
for they know me. The grass grows rich and richer, the land is filled
with fatness, and the sap is in the trees. It is the spring. The spring
is mine. I am monarch of my kingdom of the spring. The mares remember
my voice. They know me aforetime through their mothers before them.
Hear me! I am Eros. I stamp upon the hills, and the wide valleys are my
heralds, echoing the sound of my approach.'"
And Paula pressed closer to her husband, and was pressed, as her lips
touched his forehead, and as the pair of them, gazing at the empty road
among the lilacs, saw it filled with the eruptive vision of Mountain
Lad, majestic and mighty, the gnat-creature of a man upon his back
absurdly small; his eyes wild and desirous, with the blue sheen that
surfaces the eyes of stallions; his mouth, flecked with the froth and
fret of high spirit, now brushed to burnished knees of impatience, now
tossed skyward to utterance of that vast, compelling call that shook
the air.
Almost as an echo, from afar off, came a thin-sweet answering whinney.
"It is the Fotherington Princess," Paula breathed softly.
Again Mountain Lad trumpeted his call, and Dick chanted:
"Hear me! I am Eros! I stamp upon the hills!"
And almost, for a flash of an instant, circled soft and close in his
arms, Paula knew resentment of her husband's admiration for the
splendid beast. And the next instant resentment vanished, and, in
acknowledgment of due debt, she cried gaily:
"And now, Red Cloud! the Song of the Acorn!" Dick glanced half absently
to her from the pamphlet folded on his finger, and then, with equal
pitch of gaiety, sang:
"The acorns come down from heaven!
I plant the short acorns in the valley!
I plant the long acorns in the valley!
I sprout, I, the black-oak acorn, sprout, I sprout!"
She had impressed herself very close against him during his moment of
chanting, but, in the first moments that succeeded she felt the
restless movement of the hand that held the finger-marked hog-pamphlet
and caught the swift though involuntary flash of his eye to the clock
on his desk that marked 11:25. Again she tried to hold him, although,
with equal involuntariness, her attempt was made in mild terms of
resentment.
Public-domain text, read in full here on John Shaqi.
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