You should know that in the February number of “THE DRAMA” there will be published for the first time in English a play by Artzibashef. It is a war drama which has stimulated thinking people in Russia to think some more. A penetrating study of Eugene Walter as the leader of dramatic realism in America and a scintillating essay on the folly of theatrical advertising are two of other articles which combine to make the February issue invaluable to people who are interested not only in drama but in life. We should like to announce that we have on sale back numbers of “The Drama” with the following plays in them: Galdos’ _Electra_, Bjornson’s _Leonarda_, Becque’s _The Crown_, Hebbel’s _Herod and Marriamne_, Schnitzler’s _Light-O’-Love_, Heijerman’s _The Good Hope_, Freytag’s _The Journalists_, Giacosa’s _The Stronger_, Donnay’s _The Other Danger_, Gillette’s _Electricity_, Andreyev’s _The Pretty Sabine Women_, Goldoni’s _The Squabbles of Chioggia_, Capus’ _The Adventurer_, and Augier’s _The Marriage of Olympe_. These plays can be obtained by the sending of seventy-five cents to the office of The Drama Quarterly, 736 Marquette Bldg., Chicago. In entering upon its third year, THE MISCELLANY feels that it has found a place in “the order of things.” A specimen copy will be sent to readers of THE LITTLE REVIEW. Issued quarterly; one dollar per year. THE MISCELLANY 17 Board of Trade Building, Kansas City, Missouri. We do with Talking Machines what Ford did with Autos YOU ASK WHY THIS BEAUTIFUL, LARGE SIZE TALKING MACHINE SELLS FOR ONLY $10 Size 15¾ inches at base: 8½ high. Ask for oak or mahogany finish. Nickel plated, reversible, tonearm and reproducer, playing Edison, Victor, Columbia and other disc records, 10 and 12 inches. Worm gear motor. Threaded winding shaft. Plays 2 ten-inch records with one winding—Tone controlling door. Neat and solidly made. If you have never been willing to spend $25 for a talking machine this is your chance. The MUSIGRAPH is as large, good-looking, right-sounding as machines selling for $25. How do we do it? Here’s the answer: Gigantic profits have been made from $25 machines because of patent right monopoly. Millions have gone for advertising $25 machines, and these millions came back from the public. The attempt is to make $25 the standard price. It’s too much.