But as for Hogarth, in such a dazzling flash did he dash toward the
door, that he had struck down the second officer before the outcry of
the first, and had pulled at the door-bell before the third could cry
_“Don't open!”_--a cry muffled into his maw by a cuff prompt as thunder.
This third man, however, grasped the fugitive by the middle: and while
the overthrown two were running up, and the key without seeking the
lock, a short, venomous tussle was waged just near the door, till
Hogarth, wringing his naked body free, tossed his antagonist by the
knees to slide into the path of the two on-comers; at the same time,
catching up his battered can, and smashing it into the face of the
door-orderly, who now peeped in, he slipped through, and was gone into a
yard, small, of irregular shape, and dim, with one wall-lantern, and
but one egress (except the egress into the prison-hall), namely a
blind-alley between the laundry and carpet-makers' building on one side,
and stables on the other: blind alley, yard, and all, being shut in by
big buildings.
By the time the door-orderly opened his eyes, and one of the inside
three had rushed out, Hogarth had vanished; and these two, shrilling
whistles to reinforce the bath-room guard, pelted down the blind-alley
to effect, as they thought, a sure capture. But Hogarth was not there.
Back they came trotting, breathless, rather at a loss. One panted: “He
must have run back into the great hall....”
The other panted: “He'd hardly do that--hiding in the yard still, _must_
be. There's that little nook....”
The “little nook” is a three-sided space in a corner, very dark, formed
by one wall of the campanile, or bell-tower, together with a wall of the
laundry-house, and a third wall which shuts in the yard; the entrance to
it narrow, and one looking up within it seems to stand at the bottom
of a triangular well, split at one corner. It is not far from the
bathhouse, and into it Hogarth had really darted; but when the officers
came peering, no trace of him.
He had, in fact, gone up the lightning-conductor, which runs down
a bell-tower remarkably high, Colmoor having been built during the
Napoleonic wars for French prisoners at a time when the theory was
accepted that a lightning-conductor protects a space whose radius is
double the height of the conductor. The tower is a five-sided structure
with a Gothic window into which it is impossible to get from the
conductor, because a corner intervenes, and it is a feat to swing from
the conductor to the laundry-wall coping, and thence, leaping up, to
grip the window: at each of which ordeals Hogarth hesitated, pierced
with chills; to his observations from afar it had seemed so much less
stupendous; but in each case he dared, and reached.
All this time the can was between his teeth.
Public-domain text, read in full here on John Shaqi.
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