Arthur, King -- Homes and haunts -- England -- Cornwall (County); Cornwall (England : County) -- Antiquities, Celtic
At such time Tintagel is telling its own story, weaving its own
romance; and words seem vain when those shattered columns, those
fallen walls, that unbridged chasm, are there to make the tale. Of the
after-history of the place what matters it? We would fain have the
story end, as it began, with Arthur and Guinevere, King Mark, Mage
Merlin, and Tristram and Iseult. Every roll of the breakers is a voice
from the past, and every crumbling chamber a chapter in that history
which only the true poet transcribes. Yet even while such thoughts are
forcing themselves upon the mind of the beholder of a typical August
sunset over Tintagel, the end of the day will be near. The arc of the
sun blazes upon the sea-line, an edge of fiery carmine, and a fleecy
train of cirrus-cloud crimsons with the last rays. Slowly and yet
perceptibly the light dies away and leaves the heaving sea mystically
dusk and the world full of shadows. Darkness looms over Tintagel. The
overhanging crags look as if they might crack, break off, and thunder
down into the open-mouthed sea below. The black chough wheels about
the ruins--the spirit of Arthur, say the people, revisiting the scene
of his glory. Arcturus, the star of Arthur, glistens in the blue sky
right over the castle height, and Arthur’s Harp shapes itself more
dimly further east--for the constellations themselves were named after
the puissant king. The tide is at its height and has flooded the little
stony beach to which a steep path leads; the caves are full; on the
horizon the night-clouds come up and shape themselves into fantastic
forms of towers, and the real which are near, and the imagined which
are far, scarce can be distinguished.
[Illustration: _Photo: R. Webber, Boscastle_]
BARRAS HEAD, TINTAGEL
[_To face p. 110_]
Lytton seems to have had Tintagel, or a very similar place in the
north, in his mind when he described the arrival of the Cymrian
King, pursued by the Saxons, at a beach of far resounding seas where
wave-hollowed caves arched, and
“Column and vault, and seaweed-dripping domes
Long vistas opening through the streets of dark,
Seem’d like a city’s skeleton, the homes
Of giant races vanish’d.”
Public-domain text, read in full here on John Shaqi.
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