The Magic of SpainBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
The Magic of Spain
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Spain -- Description and travel; Spanish literature -- History and criticism
“March said to Aperill
‘I see three haggs [sheep] upon a hill.
And if you will lend me dayes three
I’ll find a way to make them dee.’”
But the rigour of the days that follow in Cumberland has no place or
parallel in the low-lying districts of Andalucía:--
“The first of them was wind and weet,
The second of them was snaw and sleet,
The third of them was sic a freeze
It froze the birds’ nebs to the trees;
When the three days were past and gane
The three silly haggs came hirpling hame.”
At Seville a few weeks after the Day of the Kings winter is really over:
in February the sky has an intenser blue, and with the longer sunshine
the warmth increases. The spring days follow in their matchless
splendour, till finally the sun’s fiery heat drives all who can leave
the city to the cooler refuge of the sea or the hills.
XIV
FROM A SEVILLE HOUSETOP
In winter Seville’s sky is sometimes for weeks entirely cloudless. Day
after day opens and dies peacefully away like a perfect flower; or, if a
strong cold wind drives across the day, it still blows in a heaven of
limitless clear blue. But in early spring the sky is often veiled in a
floating canopy of grey, or one may watch the white masses of clouds
thin and melt on the blue. And the blue is no longer fixed, distant, and
serene; even when apparently clear it has a vague movement of dissolving
mists, an intangible white softness interlacing it. It is this quality
of the sky, harmonizing so well with the soft lines and delicate colours
of the city, that gives to Seville in spring its unfailing charm.
Especially is that charm felt in the hour when men’s cigarettes begin to
glow and dot the streets with tiny fire-flies, distinct as the white
flowers worn by the women in their hair. The deep-red carnations and
dark violets of the open flower-stalls fade into shadow; the light
greens, lilacs, yellows, browns, and blues of the houses take a greyer
tinge. The last sunshine throws its thinner radiance along the white
lines of flat roofs that stand out in many levels and angles on the blue
or blue-and-white sky, and the effect is of pearls and opals, not the
flash of polished opals, but, as it were, blue veins of opal in white
chalk. The west is filled with a level radiance of pure gold, and
presently the eastern sky also changes from blue to a faint golden grey.
One by one the hanging street lamps begin to shed their soft glow of
white light, and overhead the first stars shine faintly and vanish and
reappear. The bells of goats and the mellower note of cowbells are heard
as they go their evening round to be milked, driven by a boy astride his
donkey, or by an old man with faded-pink umbrella; or a donkey passes
laden with oranges, the fruit’s gold gleaming through the twilight
afterglow from between the netting of the panniers. A breath of country
air invades the city; the day’s work is ended, and perhaps from some
Public-domain text, read in full here on John Shaqi.
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