The Mapleson Memoirs, 1848-1888, vol IMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol I
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
Mdme. Grisi was, of course, much distressed by this _contretemps_. She
had recourse, however, to the homeopathic remedies which she always
carried with her, and after a time was herself again. These remedies
were for the most part in the form of stimulants, which, however, Mdme.
Grisi took only in the smallest quantities. Her medicine-chest contained
a dozen half-pint wicker-covered bottles, which held, besides orgeat and
other syrups, brandy, whisky, hollands, port-wine, and bottled stout.
In the second act Mdme. Grisi got on very well, especially in the scene
with the bass preceding the famous trio. In the passionate duet with the
tenor, just when the Duke, after administering the poison to "Gennaro,"
has gone away, she made an unsuccessful attempt to reach the A natural;
and the failure caused her much confusion. She got through the
performance; but she ran up to me immediately the curtain fell and
exclaimed that it was all over with her, and that she never could appear
again.
The notices next morning were sufficiently favourable; but it was
evident that the career of the great vocalist was now, indeed, at an
end. Let me here say a word about Mdme. Grisi's pecuniary affairs.
After the duel between her husband, M. de Meley, and Lord Castlereagh a
separation took place; and the injured spouse made an arrangement by
which he was to receive out of his wife's salary the moderate income of
two thousand a year. This she was to pay as long as she remained on the
stage. In order that the famous singer might enjoy the use of her own
earnings, I made an agreement with her by which on my provincial tours
she was to sing for me gratuitously, while I at the same time engaged to
pay Signor Mario £300 a week. For this salary the two admirable artists
were ready to sing as often as I liked. They were most obliging; full of
good nature, and without any of the affectation or caprice from which so
few singers at the present day are free. They took a pleasure in their
performances, and thought nothing of playing three or four times a week.
They would have sung every night had I been unreasonable enough to ask
them to do so.
Far from insisting that she should never be called upon to do anything
that was not expressly set down for her in her written contract, Mdme.
Grisi would often volunteer her assistance in cases where it was really
very useful. In _Don Pasquale_, for instance, while Mario was singing
the beautiful serenade "Com'e gentil!" she would direct the chorus
behind the scenes, singing herself and marking the time on the
tambourine.
Public-domain text, read in full here on John Shaqi.
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