Aristocracy (Social class) -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rich people -- Fiction
“Grand folks?” repeated her visitor with amusement. “Poor dear souls!
how amused they be. They’d have been sold up if they hadn’t gone out;
she hated going, said she’d rather live on a crust in England, but he
jumped at the appointment; he’d a whole yelling pack of Jews on him;
it’s quieted them of course; and he’s let Saxe-Durham for the term.
You’d better tell your husband not to lend him any money, for he never
pays, he can’t pay; he’s sure to get your daughter to ask.”
“Lord’s sakes, my lady!” murmured Margaret Massarene: life became
altogether inexplicable to her; if a gentleman who was a marquis, and
governor of a province twice as big as France, they said, were not
everything he ought to be, where could excellence and solvency be
looked for? _O vertu où vas-tu te nicher?_ she would have said had she
ever heard of the line.
“But they are very--very--good people, are they not, ma’am?” she asked
pathetically.
“Oh, dear, yes; _she_ is much too ugly to be anything else, and he’s
a very good fellow though he does make himself hated with his sharp
tongue. He’s like that monarch, you know, who never did a wise thing
and never said a silly one. He’s awfully clever, but he can’t keep his
head above water. But why on earth did you let your daughter go for so
long? They’ll get marrying her to one of their boys; they’ve no end of
them.”
She was not pleased that the young woman was staying with Lord
Framlingham; he was a very clever and sarcastic person who might supply
his guest with inconvenient and premature knowledge of English society
in general and of Cocky and herself in particular.
Mrs. Massarene smoothed down her beautiful gown with a nervous worried
gesture.
“Oh, ma’am, Katherine’s very discreet, and by her letters all she seems
to be thinking about is the white temples and the black men.”
“There are no black men in India, and you’d have done much better to
keep her at home,” said her visitor sharply. “What is she like?”
She intended this young woman for her brother Ronald, whatever she
might be like.
Maternal pride made Mrs. Massarene’s inexpressive and commonplace face
for once eloquent and not ordinary: its troubled and dreary expression
of chronic bewilderment lighted and changed; her wide mouth smiled, her
colorless eyes grew almost bright.
“If you’ll honor me, ma’am, by stepping this way,” she said with
alacrity as she rose.
“Horses step--people don’t,” said Lady Kenilworth, unkindly, as she
accompanied the person whose instructress and tormentor she was,
into a smaller room in which, set as it were upon an altar, a white
marble bust stood on a plinth of jasper with a fence of hothouse
flowers around it; hanging on the wall behind it was a portrait.
Lady Kenilworth looked critically at both bust and portrait. She was
surprised to find them what they were.
“A classic face, and clever,” she said to the anxious mother. “Are they
at all like? The bust’s Dalou’s, isn’t it? And the portrait----”
Public-domain text, read in full here on John Shaqi.
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