The building is also especially interesting, because it is more
complicated in its parts and more nearly approaches the form of civil
architecture than anything that has yet come to our knowledge. Almost
all the Greek buildings hitherto explored are Temples, generally
formal and low in their outline. For the first time, we find a genuine
two-storied building, which, though covering only half the area of the
Parthenon, is twice its height, and contains a variety of lessons and
suggestions it would be in vain to try to extract from mere templar
buildings.
This building seems also to have a special interest at the present
moment, inasmuch as we are now looking everywhere for the design
of some Memorial which should worthily commemorate the virtues of
the Prince whose loss the nation is still deploring. It would be
difficult to suggest anything more appropriate for this purpose than a
reproduction of the Monument which excited so much the admiration of
the ancient world, and rendered the grief of Artemisia famous through
all succeeding generations.
[Illustration: PLATE I
ROOF PLAN. UPPER STOREY.
STAIRS EXCAVATED
IN THE ROCK.
PLAN
of the
MAUSOLEUM
SHEWING ITS ARRANGEMENTS ON
FOUR DIFFERENT LEVELS.
BASEMENT PLAN. LOWER STOREY.
Scale of Greek Feet.
Scale of Babylonian Cubits, each of 21 Greek Inches.
J. FERGUSSON, DEL.
JOHN MURRAY, ALBEMARLE ST. LONDON.
KELL BRO^S. LITH^{RS}, CASTLE ST. HOLBORN.]
[Illustration: PLATE II
HALF SECTION. HALF ELEVATION.
EAST FRONT OF MAUSOLEUM.
Scale of Greek Feet.
Scale of Babylonian Cubits, each of 21 Greek Inches.
J. FERGUSSON, DEL.
JOHN MURRAY, ALBEMARLE ST. LONDON.
KELL BRO^S. LITH^{RS}, CASTLE ST. HOLBORN.]
[Illustration: PLATE III
HALF SECTION. HALF ELEVATION.
SOUTH SIDE OF MAUSOLEUM.
Scale of Greek Feet.
Scale of Babylonian Cubits, each of 21 Greek Inches.
J. FERGUSSON, DEL.
JOHN MURRAY, ALBEMARLE ST. LONDON.
KELL BRO^S. LITH^{RS}, CASTLE ST. HOLBORN.]
FOOTNOTES:
[1] Of this class one of the best known is the steeple of St. George’s
Church, Bloomsbury, which its architect supposed was a correct
restoration of the Mausoleum.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account