Hymns, Latin -- History and criticism; Sequences (Liturgy)
Aetheria uses the words psalm, antiphon and hymn in connection with the
musical parts of the worship she observed, but not indiscriminately. She
was probably familiar with hymns as they had developed in the fourth
century both in the eastern and western churches. It has been assumed
that the hymn sung at the daily lighting of the candles was _Phos
hilaron_, “O gladsome light.”[5] The hymns she heard at the Good Friday
observance have been tentatively identified as the _Idiomela_ for Good
Friday, traditional in Byzantine ritual.[6] In any case they were true
hymns, perhaps of a metrical, or more probably of a rhythmical type. It
is impossible to identify the processional hymns of which she speaks.
All that can be asserted is that non-scriptural, as well as scriptural
hymns, were sung in the processions at Jerusalem.
In Constantinople, contemporary processions have already been mentioned.
The practice of Jerusalem was also adopted there. In the sixth century
under Justinian, the Feast of Ypapanti was introduced.[7] However, the
history of Byzantine processions must be omitted from this study which
is devoted primarily to the Latin West.
In Rome, the Christian procession had an independent origin, being
derived in part from the memorial honors paid to the Christian martyrs
and in part from the Christianization of pagan ceremonies. When the
period of persecution of Christianity had come to a close and the
triumphant Church was able to assert publicly her influence and
authority at Rome, processions were made as early as the fifth century
to the places where martyrs had suffered. This is the origin of the
later station procession, followed by the celebration of mass in the
various churches where the remains of martyrs removed from the catacombs
were buried. A century earlier in Milan, Ambrose had discovered and
removed the bodies of St. Protasius and of St. Gervasius from their
original burial place to a church newly erected in their honor.[8] Pope
Gregory the Great (590-604) observed the Roman stations and Pope Sergius
(687-701) completed their organization.[9] The processions were
accompanied by the chanting of psalms but there is no record of
non-scriptural hymns. The symbolism of the procession, however, was
enriched by the idea of pilgrimage to a spot made sacred by martyrdom, a
continuing processional motive throughout the Middle Ages.
Public-domain text, read in full here on John Shaqi.
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