Such is the theory that two authors--W. James and Lange--happened to discover almost at the same time, Lange treating it as a physiologist and W. James as a philosopher. Their theory, at first sight, appears singular, like everything which runs counter to our mental habits. It lays down that the symptoms which we all till now have considered as the physiological consequence, the translation, and the distant effects of the emotions, constitute their essential base. These effects are: the expression of the physiognomy, the gesture, the cry, and the speech; or the reflex action on the circulation, the pallor or blushing, the heat mounting to the head, or the cold of the shiver which passes over the body. Or it is the heart, which hastens or slackens its beats, or makes them irregular, or enfeebles, or augments them. Or the respiration, which changes its rhythm, or increases, or is suspended. Or else it is the secretion of the saliva or of the sweat, which flows in abundance or dries up. Or the muscular force, which is increased or decays. Or the almost undefinable organic troubles revealed to us by the singing in the ears, constriction of the epigastrium, the jerks, the trembling, vertigo, or nausea--all this collection of organic troubles which comes more or less confusedly to our consciousness under the form of tactile, muscular, thermal, and other sensations. Until now this category of phenomena has been somewhat neglected, because we saw in it effects and consequences of which the role in emotion itself seemed slight, since, if they could have been suppressed, it was supposed that emotion would still remain. The new theory commences by changing the order of events. It places the physical symptoms of the emotions at the very beginning, and considers them the direct effects of the external excitant, which is expressed by this elegant formula: "It used to be said, 'I perceive a danger; I am frightened, I tremble.' Now we must say, 'I tremble before a danger, first, and it is after having trembled that I am frightened.'" This is not a change in order only; it is something much more serious. The change is directed to the nature of emotion. It is considered to exist in the organic derangements indicated above. These derangements are the basis of emotion, its physical basis, and to be moved is to perceive them. Take away from the consciousness this physical reflex, and emotion ceases. It is no longer anything but an idea. This theory has at least the merit of originality. It also pleases one by its great clearness--an entirely intellectual clearness, we may say; for it renders emotion comprehensible by enunciating it in terms of cognition. It eliminates all difference which may exist between a perception and an emotion. Emotion is no longer anything but a certain kind of perception, the perception of the organic sensations.