Canadian fiction; Maine -- Fiction; People with disabilities -- Fiction; Poor -- Fiction
There was utter silence now--the tread of shuffling feet was gone--no
man moved--it seemed as though no man _breathed_--they stood as carven
things, inanimate, men, women and children strained forward, their faces
drawn, tense and rigid. In the very air, around them, everywhere,
imprisoning them, clutching like an icy hand at the heart, something
unseen, a dread, intangible presence weighed them down and lay heavy
upon them. What was to come? What drear tragedy was to be enacted? What
awful mockery was to fall upon this maimed and mutilated creature within
whose deformed and pitiful body there too was a human soul?
From the cottage door across the lawn came two figures--a girl in
simple, clinging white, her head bowed, the sun itself seeming to caress
the dark brown wealth of hair upon her head, changing it to glinting
strands of burnished copper; and beside her walked the Patriarch, his
hand resting lightly upon her arm, a wondrous figure of a man, majestic,
simple, grand, his silvered-hair bared to the sun, his face illumined.
"There he is, mister!" whispered young Holmes hoarsely. "There he is! Go
on, mister, go on--see what he can do for you!"
There came a sound that was like a great, gasping intake of breath, as
men and women watched. Out toward the Patriarch, alone now, the Flopper
began to wriggle and writhe his way along. God in Heaven have pity! What
was this sight they looked upon--this poor, distorted, mangled thing
that grovelled in the earth--that figure towering there in the sunlight
with venerable white beard and hair, erect, symbolic of some strange,
mystic power that awed them, his head turned slightly in a curious
listening attitude, the sightless eyes closed, upon the face a great
calm like a solemn benediction.
Fell a stillness that was as the stillness of death; came a hush until
in men's ears was the quick, fierce pound and throb of their own hearts.
On, on toward the Patriarch slithered and twisted that frightful
deformity that they had followed over that long, torturing mile--on, on
he went, and they watched scarce drawing breath, their faces white,
their very limbs held as in a palsied, fearsome spell--and then, sudden,
abrupt, terrifying, there rose a shriek, wild, hysterical, prolonged, in
a woman's voice, the cadence wavering from guttural to shrill and ending
in a high-pitched, broken scream.
The Flopper halted and turned himself about, while his left hand swept
his livid face, brushing from it the spurting drops, sweeping back the
damp, tangled hair from his eyes--faced them till they saw an agony on
human countenance that struck, stabbing, to their souls--faced them
while his eyes traversed the long, long line of ghastly white faces
before him, out of which eyes everywhere, row on row of them, straining,
fixed, fascinated, seemed to burn like living fires as they held him in
their focus.
Public-domain text, read in full here on John Shaqi.
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